An Ideal Husband By: Oscar Wilde

[00:00:00] Speaker A: An Ideal Husband by Oscar Wilde. [00:00:03] Speaker B: Mrs. Marchmont read by Eswa. [00:00:07] Speaker C: Lady Basildon read by Gemma Blythe. [00:00:13] Speaker A: The part of Mason the Manservant read by Hugh. [00:00:21] Speaker D: Lord Caversham read by James Rye. [00:00:25] Speaker E: Mrs. Cheveley read by Betsy Bush. [00:00:29] Speaker F: Lady Chiltern read by Kristen Hughes. [00:00:33] Speaker G: Lady Markby read by Heather Barnet. [00:00:36] Speaker C: The role of Lord Goring by John Gonzales. [00:00:42] Speaker H: Opheliad reading the part of Mabel Chiltern. [00:00:46] Speaker C: Mr. Montford read by Matthew Walton. [00:00:50] Speaker B: Sir Robert Chiltern read by David Barnes. Vicomte de Nan Jacques by you are. [00:00:57] Speaker I: Freud, James read by Chris Gorringe. [00:01:03] Speaker A: Harold a Footman read by Zachary Brewsterge. [00:01:08] Speaker B: Phipps by your Freud. [00:01:12] Speaker A: First act scene the Octagon Room at Sir Robert Chiltern's house in Grosvenor Square. The room is brilliantly lighted and full of guests. At the top of the staircase stands Lady Chiltern, a woman of grave Greek beauty about 27 years of age. She receives the guests as they come up. Over the well of the staircase hangs a great chandelier with wax lights which illumine a large 18th century French tapestry representing the triumph of love from a design by Boucher that is stretched on the staircase wall. On the right is the entrance to the music room. The sound of a string quartet is faintly heard. The entrance on the left leads to other reception rooms. Mrs. Marchmont and Lady Basildon, two very pretty women are seated together on a Louis says sofa. There are types of exquisite fragility. Their affectation of manner has a delicate charm. Watteau would have loved to paint them. [00:02:14] Speaker B: Going on to the Hartlocks to night, Margaret? [00:02:17] Speaker E: I suppose so. [00:02:19] Speaker H: Are you? [00:02:20] Speaker B: Yes. [00:02:21] Speaker H: Horribly tedious parties they give, don't they? [00:02:25] Speaker E: Horribly tedious. Never know why I go. Never know why I go anywhere. [00:02:31] Speaker B: I come here to be educated. [00:02:35] Speaker C: Ah. [00:02:35] Speaker E: I hate being educated. [00:02:38] Speaker B: So do I. It puts one almost on a level. [00:02:41] Speaker H: With the commercial classes, doesn't it? [00:02:44] Speaker B: But dear Gertrude. [00:02:45] Speaker H: Chilterns is always telling me that I. [00:02:48] Speaker B: Should have some serious purpose in life. So I come here to try to find one. [00:02:53] Speaker A: Looking round through her lorgnette, I don't. [00:02:57] Speaker E: See anybody here tonight whom one could possibly call a serious purpose. The man who took me in to dinner talked to me about his wife the whole time. [00:03:07] Speaker B: How very trivial of him. [00:03:10] Speaker E: Terribly trivial. What did your man talk about? [00:03:14] Speaker B: About myself. [00:03:15] Speaker A: Languidly. [00:03:17] Speaker H: And were you interested? [00:03:19] Speaker A: Shaking her head. [00:03:21] Speaker B: Not in the smallest degree. [00:03:24] Speaker E: What martyrs we are. [00:03:25] Speaker C: Dear Margaret. [00:03:27] Speaker A: Rising. [00:03:28] Speaker H: And how well it becomes us, Olivia. [00:03:31] Speaker A: They rise and go towards the music room. The Vicomte de Nanjac, a young Attache, known for his neckties and his Anglomania, approaches with a low bow and enters into conversation, announcing guests from the top of the staircase. Mr. And Lady Jane Barford. Lord Caversham. Enter Lord Caversham, an old gentleman of 70, wearing the riband and star of the garter. A fine Whig type, rather like a portrait by Lawrence. [00:04:03] Speaker I: Good evening, Lady Chiltern. Has my good for nothing young son been here smiling? [00:04:10] Speaker F: I don't think Lord Goring has arrived yet. [00:04:13] Speaker A: Coming up to Lord Caversham. [00:04:15] Speaker H: Why do you call Lord Goring good for nothing? [00:04:18] Speaker A: Mabel Chiltern is a perfect example of the English type of prettiness. The apple blossom type. She has all the fragrance and freedom of a flower. There is a ripple after ripple of sunlight in her hair. And the little mouth with its parted lips is expectant like the mouth of a child. She has the fascinating tyranny of youth and the astonishing courage of innocence. To sane people she is not reminiscent of any work of art. But she is really like a Tanagra statuette and would be rather annoyed if she were told so. [00:04:50] Speaker I: Because he leads such an idle life. [00:04:53] Speaker H: Gwen, how can you say such a thing? Why, he rides in the row at 10 o' clock in the morning, goes to the opera three times a week, changes his clothes at least five times a day and dines out every night of the season. You don't call that leading an idle life, do you? [00:05:10] Speaker A: Looking at her with a kindly twinkle in his eyes. [00:05:13] Speaker I: You are a very charming young lady. [00:05:17] Speaker H: How sweet of you to say that, Lord Caversham. Do come to us more often. You know we are always at home on Wednesdays. And you look so well with your star. [00:05:26] Speaker I: Never go anywhere now. Sick of London society. Shouldn't mind been introduced to my own tailor. He always votes on the right side, but objects strongly to being sent down to dinner with my wife's milliner. Never could stand Lady Caversham's bonnets. [00:05:43] Speaker H: Oh, I love London's society. I think it has immensely improved. It is entirely composed now of beautiful idiots and brilliant lunatics. Just what society should be. [00:05:56] Speaker C: Hum. [00:05:57] Speaker I: Which is Goring, Beautiful idiot or the other thing? [00:06:02] Speaker H: Gravely, I have been obliged for the present to put Lord Goring into a class quite by himself. But he is developing charmingly into what. [00:06:13] Speaker A: With a little curtsey. [00:06:15] Speaker H: I hope to let you know very soon, Lord Caversham. [00:06:18] Speaker A: Announcing guests. [00:06:20] Speaker C: Lady Markby, Mrs. Cheverley. [00:06:24] Speaker A: Enter. Lady Markby and Mrs. Cheveley. Lady Markby is a pleasant, kindly, popular woman with grey hair, a la marquise and good lace Mrs. Cheveley, who accompanies her, is tall and rather slightly. Lips very thin and highly colored. A line of scarlet on a pallid face. Venetian red hair, aquiline nose and long throat. Rouge accentuates the natural paleness of her complexion. Grey green eyes that move restlessly. She is in heliotrope with diamonds. She looks rather like an orchid and makes great demands on one's curiosity. In all her movements she is extremely graceful. A work of art on the whole, but showing the influence of too many schools. [00:07:07] Speaker G: Good evening, dear Gertrude. So kind of you to let me ring my friend, Mrs. Cheveley. Two such charming women should know each other. [00:07:14] Speaker A: Advances towards Mrs. Cheveley with a sweet smile. Then suddenly stops and bows rather distantly. [00:07:20] Speaker F: I think Mrs. Cheveley and I have met before. I did not know she had married a second time. [00:07:27] Speaker A: Genially. [00:07:29] Speaker G: Ah, nowadays people marry as often as they can, don't they? [00:07:32] Speaker A: It is most fashionable to Duchess of Mayburgh. [00:07:36] Speaker G: Dear Duchess. And how is the Duke? Brain's still weak, I suppose. Well, that is only to be expected, is it not? His good father was just the same. There's nothing like race, is there? [00:07:50] Speaker A: Playing with her fan. [00:07:52] Speaker E: But have we really met before, Lady Chiltern? I can't remember where I have been out of England for so long. [00:08:01] Speaker F: We were at school together, Mrs. Cheveley. [00:08:04] Speaker A: Superciliously. [00:08:06] Speaker E: Indeed. I have forgotten all about my schooldays. I have a vague impression that they were detestable. [00:08:14] Speaker A: Coldly. [00:08:15] Speaker F: I am not surprised. [00:08:18] Speaker A: In her sweetest manner. [00:08:20] Speaker E: Do you know, I am quite looking forward to meeting your clever husband, Lady Chiltern. Since he has been at the Foreign Office. He has been so much talked of. In Vienna they actually succeed in spelling his name right in the newspapers. That in itself is fame on the continent. [00:08:39] Speaker F: I hardly think there will be much in common between you and my husband, Mrs. Cheveley. [00:08:46] Speaker B: Ah, Ger. [00:08:47] Speaker C: Madame. Que Surprise. I have not seen you since Berlin. [00:08:53] Speaker E: Not since Berlin, Viscount. Five years ago. [00:08:57] Speaker C: And you are younger and more beautiful than ever. How do you manage it? [00:09:03] Speaker E: By making it a rule only to talk to perfectly charming people like yourself. [00:09:08] Speaker C: Oh, you flatter me. You butter me, as they say here. [00:09:14] Speaker E: Do they say that here? How dreadful of them. [00:09:18] Speaker C: Yes, they have a wonderful language. It should be more widely known. [00:09:23] Speaker A: Sir Robert Chilton enters. A man of 40, but looking somewhat younger. Clean shaven with finely cut features. Dark haired and dark eyed. A personality of mark. Not popular. Few personalities are. But intensely admired by the few and deeply respected by the many. The note of his manner is that of perfect distinction. With a slight touch of pride. One feels that he is conscious of the success he has made in life. A nervous temperament with a tired look. The firmly chiselled mouth and chin contrast strikingly with the romantic expression in the deep set eyes. The variance is suggestive of an almost complete separation of passion and intellect. As though thought and emotion were each isolated in its own sphere through some violence of will power. There is nervousness in the nostrils and in the pale, thin, pointed hands. It would not be accurate to call him picturesque. Picturesqueness cannot survive the House of Commons. But Van Dyck would have liked to have painted his head. [00:10:30] Speaker B: Good evening, Lady Markby. I hope you've brought Sir John with you. [00:10:35] Speaker G: Oh, I have brought a much more charming person than Sir John. Sir John's temper, since he has taken seriously to politics, has become quite unbearable. Really? Now that the House of Commons is trying to become useful, it does a great deal of harm. [00:10:49] Speaker B: I hope not, Lady Markby. At any rate, we do our best to waste the public time, don't we? But who is this charming person you have been kind enough to bring to us? [00:11:00] Speaker G: Her name is Mrs. Cheveley. One of the Dorsetshire Chevelys, I suppose. But I really don't know. Families are so mixed nowadays. Indeed, as a rule, everybody turns out to be somebody else. [00:11:12] Speaker B: Mrs. Cheveley. I seem to know the name. [00:11:16] Speaker G: She has just arrived from Vienna. [00:11:19] Speaker B: Ah, yes. I think I know whom you mean. [00:11:22] Speaker G: Oh, she goes everywhere there and has such pleasant scandals about all her friends. I really must go to Vienna next winter. I hope there is a good chef at the embassy. [00:11:32] Speaker B: If there is not, the ambassador will certainly have to be recalled. Pray point out Mrs. Cheveley to me. I should like to see her. [00:11:41] Speaker A: Let me introduce you to Mrs. Cheveley. [00:11:44] Speaker G: My dear, Sir Robert Chiltern is dying to know you. [00:11:47] Speaker A: Bowing. [00:11:49] Speaker B: Every one is dying to know the brilliant Mrs. Cheveley. Our attaches at Vienna write to us about nothing else. [00:11:55] Speaker E: Thank you, Sir Robert. An acquaintance that begins with a compliment is sure to develop into a real friendship. It starts in the right manner. And I find that I know Lady Chiltern already. [00:12:08] Speaker B: Really? [00:12:09] Speaker E: Yes. She has just reminded me that we were at school together. I remember it perfectly now. She always got the good conduct prize. I have a distinct recollection of Lady Chiltern always getting the good conduct prize. [00:12:24] Speaker A: Smiling. [00:12:25] Speaker B: And what prizes did you get, Mrs. Cheveley? [00:12:28] Speaker E: My prizes came a little later on in life. I don't think any of them were for good conduct. I forget. [00:12:35] Speaker B: I'm sure they were for something charming. [00:12:38] Speaker E: I don't know that women are always rewarded for being charming. I think they are usually punished for it. Certainly more women grow old nowadays through the faithfulness of their admirers than through anything else. At least that is the only way I can account for the terribly haggard look of most of your pretty women in London. [00:12:58] Speaker B: What an appalling philosophy that sounds. To attempt to classify you, Mrs. Cheveley, would be an impertinence. But may I ask, at heart, are you an optimist or a pessimist? Those seem to be the only two fashionable religions left to us nowadays. [00:13:14] Speaker E: Oh, I'm neither. Optimism begins in a broad grin and pessimism ends with blue spectacles. Besides, they are both of them merely poses. [00:13:25] Speaker B: You prefer to be natural? [00:13:28] Speaker E: Sometimes. But it is such a very difficult pose to keep up. [00:13:33] Speaker B: What would those modern psychological novelists of whom we hear so much say to such a theory as that? [00:13:40] Speaker E: Ah, the strength of women comes from the fact that psychology cannot explain us. Men can be analyzed, women merely adored. [00:13:51] Speaker B: You think science cannot grapple with the problem of women? [00:13:56] Speaker E: Science can never grapple with the irrational. That is why it has no future before it in this world. [00:14:03] Speaker B: And women represent the irrational. [00:14:06] Speaker E: Well dressed women do. [00:14:08] Speaker A: With a polite bow. [00:14:10] Speaker B: I fear I could hardly agree with you there. But do sit down. And now tell me, what makes you leave your brilliant Vienna for our gloomy London? Or perhaps the question is indiscreet. [00:14:23] Speaker E: Questions are never indiscreet. Answers sometimes are. [00:14:29] Speaker B: Well, at any rate, may I know if it is politics or pleasure? [00:14:33] Speaker E: Politics are my only pleasure. You see, nowadays it is not fashionable to flirt until one is 40 or to be romantic till one is 45. So we poor women who are under 30, or say we are, have nothing open to us but politics or philanthropy. And philanthropy seems to me to have become simply the refuge of people who wish to annoy their fellow creatures. I prefer politics. I think they are more becoming. [00:15:06] Speaker B: A political life is a noble career. [00:15:10] Speaker E: Sometimes. And sometimes it is a clever game, Sir Robert. And sometimes it is a great nuisance. [00:15:19] Speaker B: Which do you find it? [00:15:21] Speaker E: I. A combination of all three drops. [00:15:26] Speaker A: Her fan picks up fan. [00:15:30] Speaker B: Allow me. [00:15:31] Speaker E: Thanks. [00:15:34] Speaker B: But you have not told me yet what makes you honour London so suddenly. Our season is almost over. [00:15:41] Speaker E: Oh, I don't care about the London season. It is too matrimonial. People are either hunting for husbands or hiding from them. I wanted to meet you. It is quite true, you know. [00:15:55] Speaker H: What? [00:15:55] Speaker E: A woman's curiosity is almost as great as a man's. I wanted Immensely. To meet you and to ask you to do something for me. [00:16:06] Speaker B: I hope it is not a little thing, Mrs. Cheveley. I find that little things are so very difficult to do. [00:16:13] Speaker A: After a moment's reflection. [00:16:15] Speaker E: No, I don't think it is quite a little thing. [00:16:19] Speaker B: I am so glad. Do tell me what it is later on. [00:16:26] Speaker E: And now may I walk through your beautiful house? I hear your pictures are charming. Poor Baron Arnheim. You remember. The Baron used to tell me that you had some wonderful Corot. [00:16:39] Speaker A: With an almost imperceptible start. [00:16:43] Speaker B: Did you know Baron Arnheim well? [00:16:45] Speaker E: Smiling intimately. Did you? [00:16:50] Speaker B: At one time. [00:16:52] Speaker E: Wonderful man, wasn't he? [00:16:54] Speaker B: After a pause, he was very remarkable in many ways. [00:17:01] Speaker E: I often think it such a pity he never wrote his memoirs. They would have been most interesting. [00:17:08] Speaker B: Yes, he knew men and cities well. Like the old Greek. [00:17:13] Speaker E: Without the dreadful disadvantage of having a Penelope waiting at home for him. [00:17:19] Speaker A: Lord Goring. Enter Lord Goring. 34, but always says he is younger. A well bred, expressionless face. He is clever, but would not like to be thought so. A flawless dandy. He would be annoyed if he were considered romantic. He plays with life and is on perfectly good terms with the world. He is fond of being misunderstood. It gives him a post of vantage. [00:17:43] Speaker B: Good evening, my dear Arthur. Mrs. Chiefly, allow me to introduce to you Lord Goring. The idlest man in London. [00:17:51] Speaker E: I have met Lord Goring before. [00:17:55] Speaker C: I did not think you would remember me, Miss Cheveley. [00:18:00] Speaker E: My memory is under admirable control. And are you still a bachelor? [00:18:06] Speaker C: I believe so. [00:18:09] Speaker E: How very romantic. [00:18:12] Speaker C: Oh, I am not at all romantic. I am not old enough. I leave romance to my seniors. [00:18:19] Speaker B: Lord Goring is the result of Boodle's Club, Mrs. Cheveley. [00:18:23] Speaker E: He reflects every credit on the institution. [00:18:27] Speaker C: May I ask, are you staying in London long? [00:18:31] Speaker E: That depends partly on the weather, partly on the cooking. And partly on Sir Robert. [00:18:38] Speaker B: You are not going to plunge us into a European war, I hope? [00:18:43] Speaker E: There is no danger at present. [00:18:45] Speaker A: She nods to Lord Goring with a look of amusement in her eyes. And goes out with Sir Robert Chiltern. Lord Goring saunters over to Mabel Chiltern. [00:18:54] Speaker H: You are very late. [00:18:56] Speaker C: Have you missed me? [00:18:58] Speaker H: Awfully. [00:18:59] Speaker C: Then I am sorry I did not stay away longer. I like being missed. [00:19:05] Speaker H: How very selfish of you. [00:19:08] Speaker C: I am very selfish. [00:19:10] Speaker H: You are always telling me of your bad qualities, Lord Goring. [00:19:15] Speaker C: I have only told you half of them as yet, Miss Mabel. [00:19:19] Speaker H: Are the others very bad? [00:19:22] Speaker C: Quite dreadful. When I think of them at night, I go to sleep at Once, Mabel. [00:19:28] Speaker H: Well, I delight in your bad qualities. I wouldn't have you part with one of them. [00:19:34] Speaker C: How very nice of you. But then you are always nice. By the way, I want to ask you a question, Ms. Mabel. Who brought Mrs. Cheveley here? That woman in Heliotrope who has just gone out to the room with your brother. [00:19:49] Speaker H: Oh, I think Lady Markby brought her. Why do you ask? [00:19:54] Speaker C: I haven't seen her for years, that is all. [00:19:57] Speaker H: What an absurd reason. [00:20:00] Speaker C: All reasons are absurd. [00:20:02] Speaker H: What sort of woman is she? [00:20:04] Speaker C: Oh, a genius in the daytime and a beauty at night. [00:20:10] Speaker H: I dislike her already. [00:20:13] Speaker C: That shows your admirable good taste. Oh, the English young lady is that dragon of good taste, is she not? Quite that dragon of good taste. So the newspapers are always telling us. I read all your English newspapers. I find them so amusing. Then, my dear Nanjak, you must certainly read between the lines. I should like to, but my professor objects to. [00:20:45] Speaker A: Mabel Chiltern. [00:20:47] Speaker C: May I have the pleasure of escorting. [00:20:49] Speaker B: You to the music room? [00:20:50] Speaker A: Mademoiselle, looking very disappointed. [00:20:54] Speaker H: Delighted, Vicomte, quite delighted. [00:20:58] Speaker A: Turning to Lord Goring. [00:21:00] Speaker H: Aren't you coming to the music room? [00:21:02] Speaker C: Not if there's any music Going on, Ms. Mabel. [00:21:06] Speaker A: Severely. [00:21:07] Speaker H: The music is in German. You would not understand. [00:21:10] Speaker A: It goes out with the Vicomte de Novac. Lord Caversham comes up to his son. [00:21:17] Speaker I: Well, sir, what are you doing here? Wasting your life, as usual. You should be in bed, sir. You keep too late hours. I heard of you the other night at lady rufford's, dancing till 4:00 clock in the morning. [00:21:31] Speaker C: Only a quarter to 4, Father. [00:21:33] Speaker I: Can't make out how you stand London society. The thing has gone to the dogs. A lot of damned nobodies talking about nothing. [00:21:41] Speaker C: I love talking about nothing, Father. It is the only thing I know anything about. [00:21:47] Speaker I: You seem to me to be living entirely for pleasure. [00:21:51] Speaker C: What else is there to live for, Father? Nothing ages like happiness. [00:21:57] Speaker I: You are heartless, sir. Very heartless. [00:22:00] Speaker C: I hope not, Father. Good evening, Lady Basildon. [00:22:05] Speaker A: Arching two pretty eyebrows. [00:22:07] Speaker E: Are you here? [00:22:09] Speaker B: I had no idea you ever came to political parties. [00:22:13] Speaker C: I adore political parties. They are the only place left to us where people don't talk politics. [00:22:19] Speaker E: I delight in talking politics. I talk them all day long. But I can't bear listening to them. I don't know how the unfortunate men in the house stand these long debates. [00:22:33] Speaker C: By never listening. Really? [00:22:36] Speaker A: In his most serious manner, of course. [00:22:39] Speaker C: You see, it is a very dangerous thing to listen. If one listens, one may be convinced. And a man who Allows himself to be convinced by an argument. Is a thoroughly unreasonable person. Ah. [00:22:53] Speaker B: That accounts for so much in men. [00:22:55] Speaker E: That I have never understood. And so much in women that their husbands never appreciate in them. [00:23:03] Speaker A: With a sigh. [00:23:04] Speaker B: Our husbands never appreciate anything in us. We have to go to others for that. [00:23:11] Speaker A: Emphatically, yes. [00:23:14] Speaker E: Always to others have we not smiling. [00:23:18] Speaker C: And those are the views of the two ladies who are known to have the most admirable husbands in London. [00:23:25] Speaker B: That is exactly what we can't stand. My Reginald is quite hopelessly faultless. He is really unendurably so at times. There is not the smallest element of excitement in knowing him. [00:23:40] Speaker C: How terrible. Really, the thing should be more widely known. [00:23:45] Speaker E: Basildon is quite as bad. He is as domestic as if he. [00:23:50] Speaker A: Were a bachelor pressing Lady Basildon's hand. [00:23:55] Speaker B: My poor Olivia. We have married perfect husbands and we are well punished for it. [00:24:02] Speaker C: I should have thought it was the husbands who were punished. [00:24:06] Speaker A: Drawing herself up. [00:24:09] Speaker B: Oh, dear, no. They are as happy as possible. And as for trusting us, it is tragic how much they trust us. [00:24:18] Speaker E: Perfectly tragic. [00:24:20] Speaker C: Or comic, Lady Basildon. [00:24:24] Speaker E: Certainly not comic, Lord Goring. How unkind of you to suggest such a thing. [00:24:30] Speaker B: I am afraid Lord Goring is in. [00:24:32] Speaker H: The camp of the enemy, as usual. [00:24:34] Speaker B: I saw him Talking to that Mrs. [00:24:36] Speaker H: Cheveley when he came in. [00:24:39] Speaker C: Handsome woman, Mrs. Cheveley. [00:24:41] Speaker A: Stiffly. [00:24:42] Speaker E: Please don't praise other women in our presence. You might wait for us to do that. [00:24:48] Speaker C: I did wait. [00:24:50] Speaker H: Well, we are not going to praise her. [00:24:53] Speaker B: I hear she went to the opera on Monday night. And told Tommy Rufford at supper that as far as she could see, London society was entirely made up of dowdies and dandies. [00:25:05] Speaker C: She is quite right, too. The men are all dowdies and the women are all dandies, aren't they? [00:25:12] Speaker A: After a pause. [00:25:15] Speaker B: Oh, do you really think that is what Mrs. Cheveley meant? [00:25:19] Speaker C: Of course. And a very sensible remark for Ms. Cheveley to make, too. [00:25:24] Speaker A: Enter Mabel Chiltern. She joins the group. [00:25:27] Speaker H: Why are you talking about Mrs. Cheveley? Every body is talking about Mrs. Cheveley. Lord Goring says. What did you say, Lord Goring? About Mrs. Cheveley? Oh, I remember that she was a genius in the daytime and a beauty at night. [00:25:44] Speaker B: What a horrid combination. [00:25:46] Speaker E: So very unnatural. [00:25:49] Speaker A: In her most dreamy manner. [00:25:51] Speaker B: I like looking at geniuses and listening to beautiful people. [00:25:58] Speaker C: That is morbid of you, Mrs. Marchmont. [00:26:02] Speaker A: Brightening to a look of real pleasure. [00:26:05] Speaker B: I am so glad to hear you say that. Marchmont and I have been married for seven years. And he has never once told me that I was morbid. Men are so painfully unobservant. [00:26:19] Speaker A: Turning to her. [00:26:20] Speaker E: I have always said, dear Margaret, that you were the most morbid person in London. [00:26:26] Speaker B: Ah, but you are always sympathetic, Olivia. [00:26:30] Speaker H: Is it morbid to have a desire for food? I have a great desire for food, Lord Goring. Will you give me some supper? [00:26:39] Speaker C: With pleasure. [00:26:40] Speaker A: Ms. Mabel moves away with her. [00:26:43] Speaker H: How horrid you have been. You have never talked to me the whole evening. [00:26:48] Speaker C: How could I? You went away with a child diplomatist. [00:26:52] Speaker H: You might have followed us. Pursuit would have been only polite. I don't think I like you at all this evening, Algernon. [00:26:59] Speaker C: I like you immensely. [00:27:02] Speaker H: Well, I wish you'd show it in a more marked way, Jack. [00:27:05] Speaker A: They go downstairs. [00:27:07] Speaker B: Olivia. I have a curious feeling of absolute faintness. I think I should like some supper very much. [00:27:15] Speaker F: I know I should like some supper. [00:27:17] Speaker E: I am positively dying for supper. [00:27:20] Speaker B: Margaret. Men are so horribly selfish. They never think of these things. [00:27:26] Speaker E: Men are grossly material. Grossly material. [00:27:31] Speaker A: The Vicomte de Nanjac enters from the music room with some other guests. After having carefully examined all the people present, he approaches Lady Basildon. [00:27:40] Speaker C: May I have the honour of taking you down to supper, Comtesse? [00:27:45] Speaker A: Coldly. [00:27:46] Speaker E: I never take supper. Thank you, Viscount. [00:27:49] Speaker A: The Vicomte is about to retire. Lady Basildon, seeing this, rises at once and takes his arm. [00:27:55] Speaker E: But I will come down with you with pleasure. [00:27:58] Speaker C: I am so fond of eating. I am very English in all my tastes. [00:28:04] Speaker E: You look quite English, Valgrand. Quite English. [00:28:08] Speaker A: They pass out. Mr. Montford, a perfectly groomed young dandy, approaches Mrs. Marchmont. [00:28:13] Speaker C: Like some supper, Mrs. Marchmont? [00:28:16] Speaker A: Languidly. [00:28:18] Speaker B: Thank you, Mr. Montfort. [00:28:19] Speaker A: I never touch supper, rises hastily and takes his arm. [00:28:24] Speaker B: But I will sit beside you and watch you. [00:28:28] Speaker C: I don't know that I like being watched when I'm eating. [00:28:32] Speaker B: Then I will watch someone else. [00:28:35] Speaker C: I don't know that I should like that either. [00:28:38] Speaker A: Severely. [00:28:39] Speaker G: Pray, Mr. Montfort, do not make these. [00:28:41] Speaker B: Painful scenes of jealousy in public. [00:28:44] Speaker A: They go downstairs with the other guests passing Sir Robert Chiltern and Mrs. Cheveley, who now enter and. [00:28:50] Speaker B: Are you going to any of our country houses before you leave England, Mrs. Cheveley? [00:28:55] Speaker E: Oh, no. I cannot stand your English house parties. In England, people actually try to be brilliant at breakfast. That is so dreadful of them. Only dull people are brilliant at breakfast. And then the family skeleton is always reading family prayers. My stay in England really depends on you. [00:29:17] Speaker A: Sir Robert sits down on the sofa, taking a seat beside her seriously. [00:29:25] Speaker E: Quite seriously. I want to talk to you about a great political and financial scheme. About this Argentine Canal Company, in fact. [00:29:36] Speaker B: What a tedious, practical subject for you to talk about, Mrs. Cheveley. [00:29:41] Speaker E: Oh, I like tedious, practical subjects. What I don't like are tedious, practical people. There is a wide difference. Besides, you are interested, I know, in international canal schemes. You were Lord Radley's secretary, weren't you, when the government bought the Suez Canal shares? [00:30:02] Speaker B: Yes, but the Suez Canal was a very great and splendid undertaking. It gave us our direct route to India. It had imperial value. It was necessary that we should have control. This Argentine scheme is a commonplace Stock Exchange swindle. [00:30:20] Speaker E: A speculation, Sir Robert. A brilliant, daring speculation. [00:30:26] Speaker B: Believe me, Mrs. Cheveley, it is a swindle. Let us call things by their proper names. It makes matters simpler. We have all the information about it at the Foreign Office. In fact, I sent out a special commission to inquire into the matter privately. And they report that the works are hardly begun. And as for the money already subscribed, no one seems to know what has become of it. The whole thing is a second Panama. And with not a quarter of the chance of success that miserable affair ever had. I hope you have not invested in it. I am sure you are far too clever to have done that. [00:31:03] Speaker E: I have invested very largely in it. [00:31:06] Speaker B: Who could have advised you to do such a foolish thing? [00:31:10] Speaker E: Your old friend and mine. [00:31:13] Speaker B: Who? [00:31:14] Speaker E: Baron Arnheim. [00:31:16] Speaker B: Frowning Ah, yes. I remember hearing at the time of his death that he had been mixed up in the whole affair. [00:31:25] Speaker E: It was his last romance. His last but one to do him justice. [00:31:31] Speaker B: Rising but you've not seen my Corots yet. They're in the music room. Corots seem to go with music, don't they? May I show them to you? [00:31:40] Speaker A: Shaking her head. [00:31:42] Speaker E: I am not in a mood to night for silver twilights or rose pink dawns. I want to talk business. [00:31:50] Speaker A: Motions to him with her fan to sit down beside her. [00:31:53] Speaker B: I fear I have no advice to give you, Mrs. Cheveley, except to interest yourself in something less dangerous. The success of the canal depends, of course, on the attitude of England. And I am going to lay the report of the commissioners before the house to morrow night. [00:32:09] Speaker E: That you must not do in your own interests, Sir Robert. To say nothing of mine. [00:32:16] Speaker A: You must not do that, looking at her in wonder. [00:32:21] Speaker B: In my own interests, my dear Mrs. Cheveley. What do you mean? [00:32:26] Speaker A: Sits down beside her? [00:32:27] Speaker E: Sir Robert, I will be quite frank with you. I want you to withdraw the report that you have Intended to lay before the House on the ground that you have reason to believe that the commissioners have been prejudiced or misinformed or something. Then I want you to say a few words to the effect that the government is going to reconsider the question. And that you have reason to believe that the canal, if completed, will be of great international value. You know the sort of things ministers say in cases of this kind. A few ordinary platitudes will do. In modern life, nothing produces such an effect as a good platitude. It makes the whole world king. [00:33:09] Speaker B: Will you do that for me, Mrs. Cheveley? You cannot be serious in making me such a proposition. [00:33:16] Speaker E: I am quite serious. [00:33:19] Speaker A: Coldly. [00:33:20] Speaker B: Pray allow me to believe that you. [00:33:22] Speaker A: Are not speaking with great deliberation and emphasis. [00:33:27] Speaker E: Ah, but I am. And if you do what I ask you, I. I will pay you very handsomely. [00:33:38] Speaker B: Pay me? [00:33:39] Speaker E: Yes. [00:33:41] Speaker B: I'm afraid I don't quite understand what you mean. [00:33:44] Speaker A: Leaning back on the sofa and looking at him. [00:33:47] Speaker E: How very disappointing. And I have come all the way from Vienna in order that you should thoroughly understand me. [00:33:56] Speaker B: I fear I don't. [00:33:58] Speaker A: In her most nonchalant manner. [00:34:00] Speaker E: My dear Sir Robert, you are a man of the world and you have your price. I suppose everybody has nowadays. The drawback is that most people are so dreadfully expensive. I know I am. I hope you will be more reasonable in your terms. [00:34:21] Speaker B: If you'll allow me, I will call your carriage for you. You have lived so long abroad, Mrs. Chevely, that you seem to be unable to realize that you are talking to an English gentleman. [00:34:32] Speaker A: Detains him by touching his arm with her fan and keeping it there while she is talking. [00:34:38] Speaker E: I realize that I am talking to a man who laid the foundation of his fortune by selling to a stock exchange speculator a Cabinet secret. [00:34:49] Speaker A: What do you mean, rising and facing him? [00:34:53] Speaker E: I mean that I know the real origin of your wealth and your career. And I have got your letter, too. [00:35:01] Speaker B: What letter? [00:35:02] Speaker A: Contemptuously. [00:35:04] Speaker E: The letter you wrote to Baron Arnheim when you were Lord Radley's secretary, telling the Baron to buy Suez Canal shares. A letter written three days before the government announced its own purchase. [00:35:18] Speaker A: Hoarsely. [00:35:19] Speaker B: It is not true. [00:35:21] Speaker E: You thought that letter had been destroyed. How foolish of you. It is in my possession. [00:35:28] Speaker B: The affair to which you allude was no more than a speculation. The House of Commons had not yet passed the bill. It might have been rejected. [00:35:37] Speaker E: It was a swindle, Sir Robert. Let us call things by their proper names. It makes everything simpler. And now I am going to Sell you that letter. And the price I ask for it is your public support of the Argentine scheme. You made your own fortune out of one canal. You must help me and my friends to make our fortunes out of another. [00:36:00] Speaker B: It is infamous what you propose. Infamous. [00:36:04] Speaker E: Oh, no. This is the game of life as we all have to play it, Sir Robert. [00:36:09] Speaker B: Sooner or later, I cannot do what you ask me. [00:36:15] Speaker E: You mean you cannot help doing it. You know you are standing on the edge of a precipice. And it is not for you to make terms. It is for you to accept them. Supposing you refuse, what then, my dear Sir Robert, what then? You are ruined, that is all. Remember to what a point your puritanism in England has brought you. In old days, nobody pretended to be a bit better. Better than his neighbors. In fact, to be a bit better than one's neighbor was considered excessively vulgar. And middle class, nowadays, with our modern mania for morality, everyone has to pose as a paragon of purity, incorruptibility and all the other seven deadly virtues. And what is the result? You all go over like ninepins, one after the other. Not a year passes in England without somebody disappearing. Scandals used to lend charm or at least interest to a man. Now they crush him. And yours is a very nasty scandal. You couldn't survive it if it were known that as a young man, secretary to a great and important minister, you sold a cabinet secret for a large sum of money. And that that was was the origin of your wealth and career. You would be hounded out of public life. You would disappear completely. And after all, Sir Robert, why should you sacrifice your entire future rather than deal diplomatically with your enemy? For the moment, I am your enemy. I admit it. And I am much stronger than you are. The big battalions are on my side. You have a splendid position. But it is your splendid position that makes you so vulnerable. You can't defend it. And I am in attack. Of course, I have not talked morality to you. You must admit in fairness that I have spared you that years ago. You did a clever, unscrupulous thing. It turned out a great success. You owe to it your fortune and position. And now you have got to pay for it. Sooner or later we have all to pay for what we do. You have to pay now. Before I leave you to night. You have got to promise me to suppress your report. And to speak in the house in favor of this scheme. [00:38:47] Speaker B: What you ask is impossible. [00:38:50] Speaker E: You must make it possible. You are going to make it possible, Sir Robert. You know what your English newspapers are like. Suppose that when I leave this house I drive down to some newspaper office and give them this scandal and the proofs of it. Think of their loathsome joy. Of the delight they would have in dragging you down. Of the mud and mire they would plunge you in. Think of the hypocrite with his greasy smile penning his leading article and arranging the foulness of the public placard. [00:39:25] Speaker B: Stop. You want me to withdraw the report and to make a speech stating that I believe there are possibilities in the scheme. [00:39:33] Speaker A: Sitting down on the sofa. [00:39:35] Speaker E: Those are my terms. [00:39:37] Speaker A: In a low voice. [00:39:39] Speaker B: I will give you any sum of money you want. [00:39:43] Speaker E: Even you are not rich enough, Sir Robert, to buy back your past. No man is. [00:39:50] Speaker B: I will not do what you ask me. I will not. [00:39:55] Speaker E: You have to. If you don't. [00:39:58] Speaker A: Rises from the sofa, bewildered and unnerved. [00:40:02] Speaker B: Wait a moment. What did you propose? You said that you would give me back my letter, didn't you? [00:40:10] Speaker E: Yes. That is agreed. I will be in the ladies gallery to morrow night at half past eleven. If by that time. And you will have had heaps of opportunity. You have made an announcement to the house in the terms I wish. I shall hand you back your letter with the prettiest thanks and the best. Or at any rate the most suitable compliment I can think of. I intend to play quite fairly with you. One should always play fairly when one has the winning cards. The Baron taught me that. Amongst other things. [00:40:44] Speaker B: You must let me have time to consider your proposal. [00:40:47] Speaker E: No. You must settle now. [00:40:50] Speaker B: Give me a week. Three days. [00:40:53] Speaker E: Impossible. I have got to telegraph to Vienna to night. [00:40:58] Speaker B: My God. What brought you into my life? [00:41:02] Speaker E: Circumstances. [00:41:05] Speaker A: Move towards the door. [00:41:07] Speaker B: Don't go. I consent. The report shall be withdrawn. I will arrange for a question to be put to me on the subject. [00:41:17] Speaker E: Thank you. I knew we could come to an amicable agreement. I understood your nature from the first. I analysed you though you did not adore me. And now you can get my carriage for me. Sir Robert. I see the people coming up from supper and. And Englishmen always get romantic after a meal. And that bores me dreadfully. [00:41:39] Speaker A: Exit. Sir Robert Chiltern. Enter. Guests. Lady Chiltern. Lady Markby. Lord Caversham. Lady Basildon. Mrs. Marchmont. Vicomte de la Jacques. Mr. Montfort. [00:41:50] Speaker G: Well, dear Mrs. Cheveley. I hope you have enjoyed yourself. Sir Robert is very entertaining, is he not? [00:41:56] Speaker E: Most entertaining. I have enjoyed my talk with him immensely. [00:42:01] Speaker G: He has had a very interesting and brilliant career. And he has married a most admirable Wife? Lady Chiltern is a woman of the very highest principles. I am glad to say I am a little too old now myself to trouble about setting a good example. But I always admire people who do. And Lady Chiltern has a very ennobling effect on life. Though her dinner parties are rather dull sometimes. But one can't have everything, can one? And now I must go, dear. Shall I call for you to morrow? [00:42:32] Speaker E: Thanks. [00:42:33] Speaker G: We might drive in the park at 5. Everything looks so fresh in the park now. [00:42:38] Speaker E: Except the people. [00:42:40] Speaker G: Perhaps the people are a little jaded. I have often observed that the season as it goes on produces a kind of softening of the brain. However, I think anything is better than high intellectual pressure. That is the most unbecoming thing there is. It makes the noses of the young girls so particularly large and. And there is nothing so difficult to marry as a large nose. Men don't like them. Good night, dear. [00:43:05] Speaker A: To Lady Chiltern. [00:43:06] Speaker G: Good night. [00:43:07] Speaker A: Gertrude goes out on Lord Caversham's arm. [00:43:11] Speaker E: What a charming house you have, Lady Chiltern. I have spent a delightful evening. It has been so interesting getting to know your husband. [00:43:20] Speaker F: Why did you wish to meet my husband, Mrs. Cheveley? [00:43:23] Speaker E: Oh, I will tell you. I wanted to interest him in this Argentine canal scheme of which I dare say you have heard. And I found him most susceptible. Susceptible to reason I mean. A rare thing in a man. I converted him in 10 minutes. He is going to make a speech in the house to morrow night in favour of the idea. We must go to the ladies gallery and hear him. It will be a great occasion. [00:43:48] Speaker F: There must be some mistake. That scheme could never have my husband's support. [00:43:53] Speaker E: Oh, I assure you it's all settled. I don't regret my tedious journey from Vienna now. It has been a great success. But of course. For the next 24 hours the whole thing is a dead secret. [00:44:07] Speaker A: Gently. [00:44:07] Speaker F: A secret between whom? [00:44:11] Speaker A: With a flash of amusement in her eyes. [00:44:13] Speaker E: Between your husband and myself entering. [00:44:17] Speaker B: Your Carriage is here, Mrs. Cheveley. [00:44:20] Speaker E: Thanks. Good evening, Lady Chiltern. Good night, Lord Goring. I am at Claridge's. Don't you think you might leave a card? [00:44:29] Speaker C: If you wish it, Mrs. Cheveley. [00:44:31] Speaker E: Oh, don't be so solemn about it. Or I shall be obliged to leave a card on you. In England I suppose that would hardly be considered en Rigal. Abroad we are more civilized. Will you see me down, Sir Robert? Now that we have both the same interests at heart, we shall be great friends. [00:44:51] Speaker A: I hope sails out on Sir Robert. Chiltern's arm. Lady Chiltern goes to the top of the staircase and looks down at them as they descend. Her expression is troubled. After a little time she is joined by some of the guests and passes with them into another reception room. [00:45:07] Speaker H: What a horrid woman. [00:45:10] Speaker C: You should go to bed, Miss Mabel. Lady Lord Goring, my father told me to go to bed an hour ago. I don't see why I shouldn't give you the same advice. I always pass on good advice. It is the only thing to do with it. It is never of any use to oneself. Cecil. [00:45:28] Speaker H: Lord Goring, you are always ordering me out of the room. I think it most courageous of you. Especially as I am not going to bed for hours. [00:45:37] Speaker A: Goes over to the sofa. [00:45:39] Speaker H: You can come and sit down if you like. And talk about anything in the world except The Royal Academy, Mrs. Cheveley. Or novels in Scotch dialect. They are not improving subjects. [00:45:51] Speaker A: Catches sight of something that is lying on the sofa half hidden by the cushion. [00:45:56] Speaker H: What is this? Someone has dropped a diamond brooch. Quite beautiful, isn't it? [00:46:04] Speaker A: Shows it to him. [00:46:05] Speaker H: I wish it was mine, but Gertrude won't let me wear anything but pearls. And I am thoroughly sick of pearls. They make one look so plain, so good and so intellectual. I wonder whom the brooch belongs to. [00:46:22] Speaker C: I wonder who dropped it. [00:46:24] Speaker H: It is a beautiful brooch. [00:46:27] Speaker C: It is a handsome bracelet. [00:46:29] Speaker H: It isn't a bracelet, it's a brooch. [00:46:32] Speaker C: It can be used as a bracelet. [00:46:35] Speaker A: Takes it from her and pulling out a green letter case, puts the ornament carefully in it and replaces the whole thing in his breast pocket with the most perfect sang froid. [00:46:45] Speaker C: What are you doing, Ms. Mabel? I am going to make a rather strange request to you eagerly. [00:46:52] Speaker H: Oh, pray do. I have been waiting for it all the evening. [00:46:57] Speaker A: Is a little taken aback, but recovers himself. [00:47:00] Speaker C: Don't mention to anybody that I have taken charge of this brooch. Should any one write and claim it, let me know at once. [00:47:08] Speaker H: That is a strange request. [00:47:10] Speaker C: Well, you see, I gave this brooch to somebody once, years ago. [00:47:17] Speaker H: You did? [00:47:18] Speaker C: Yes. [00:47:20] Speaker A: Lady Chiltern enters alone. The other guests have gone. [00:47:24] Speaker H: Then I shall certainly bid you good night. Good night, Gertrude. [00:47:28] Speaker A: Exit. [00:47:29] Speaker F: Good night, dear. [00:47:31] Speaker A: To Lord Goring. [00:47:33] Speaker F: You saw whom Lady Markby brought here to night? [00:47:36] Speaker C: Yes. It was an unpleasant surprise. Why did she come here for? [00:47:43] Speaker F: Apparently to try and lure Robert to uphold some fraudulent scheme in which she is interested. The Argentine canal. [00:47:49] Speaker C: In fact, she has mistaken her man, hasn't she? [00:47:54] Speaker F: She is incapable of understanding an upright nature like my Husband's? [00:47:58] Speaker C: Yes. I should fancy she came to grief if she tried to get Robert into her toils. It is extraordinary what astounding mistakes clever women make. [00:48:10] Speaker F: I don't call women of that kind clever. I call them stupid. [00:48:15] Speaker C: Same thing often. Good night, Lady Chiltern. [00:48:19] Speaker F: Good night. [00:48:21] Speaker A: Enter. Sir Robert Chiltern. [00:48:23] Speaker B: My dear Arthur. You are not going? Do stop a little. [00:48:28] Speaker C: Afraid I can't. Thanks. I have promised to look in at the Hartlocks. I believe they have got a mauve Hungarian band that plays mauve Hungarian music. See you soon. Goodbye. [00:48:43] Speaker B: How beautiful you look to night, Gertrude. [00:48:45] Speaker F: Robert. It is not true, is it? You are not going to lend your support to this Argentine speculation? [00:48:52] Speaker A: You couldn't starting. [00:48:55] Speaker B: Who told you I intended to do so? [00:48:57] Speaker F: That woman who has just gone out. Mrs. Cheveley, as she calls herself now. She seemed to taunt me with it. Robert, I know this woman. [00:49:06] Speaker B: You? [00:49:06] Speaker F: You don't. We were at school together. She was untruthful, dishonest, an evil influence on everyone whose trust or friendship she could win. I hated. I despised her. She stole things. She was a thief. She was sent away for being a thief. Why do you let her influence you? [00:49:25] Speaker B: Gertrude, what you tell me may be true, but it happened many years ago. It is best forgotten. Mrs. Cheveley may have changed since then. No one should be entirely judged by their past. [00:49:39] Speaker F: Sadly, one's past is what one is. It is the only way by which people should be judged. [00:49:47] Speaker B: That is a hard saying, Gertrude. [00:49:50] Speaker F: It is a true saying, Robert. And what did she mean by boasting that she had got you to lend your support, your name, to a thing I have heard you describe as the most dishonest and fraudulent scheme there has ever been in political life. [00:50:05] Speaker A: Biting his lip. [00:50:07] Speaker B: I was mistaken in the view that I took. We all may make mistakes. [00:50:13] Speaker F: But you told me yesterday that you had received the report from the commission and that it entirely condemned the whole thing. [00:50:20] Speaker A: Walking up and down. [00:50:22] Speaker B: I have reasons now to believe that the commission was prejudiced or at any rate misinformed. Besides, Gertrude, public and private life are different things. They have different laws and move on different lines. [00:50:38] Speaker F: They should both represent man at his highest. I see no difference between them stopping. [00:50:44] Speaker B: In the present case on a matter of practical politics. I have changed my mind. That is all. [00:50:52] Speaker A: All sternly. [00:50:55] Speaker B: Yes. [00:50:56] Speaker F: Robert. Oh, it is horrible that I should have to ask you such a question. Robert. Are you telling me the whole truth? [00:51:08] Speaker B: Why do you ask me such a question? [00:51:11] Speaker A: After a pause. [00:51:13] Speaker F: Why do you not answer it sitting down? [00:51:17] Speaker B: Gertrude? Truth Is a very complex thing. And politics is a very complex business. There are wheels within wheels. One may be under certain obligations to people that one must pay. Sooner or later in political life one has to compromise. Everyone does compromise. [00:51:38] Speaker F: Robert, why do you talk so differently to night from the way I have always heard you talk? Why are you changed? [00:51:46] Speaker B: I am not changed. But circumstances alter things. [00:51:51] Speaker F: Circumstances should never alter principles. [00:51:55] Speaker B: But if I told you what? That it was necessary, Vitally necessary. [00:52:03] Speaker F: It can never be necessary to do what is not honourable. Or if it be necessary, then why? What is it that I have loved? But it is not, Robert. Tell me it is not. Why should it be? What gain would you get? Money. We have no need of that. And money that comes from a tainted source is a degradation. Power. But power is nothing in itself. It is power to do good. That is fine. That and that only. What is it then? Robert tells. Tell me why you are going to do this dishonourable thing. [00:52:37] Speaker B: Gertrude. You have no right to use that word. I told you it was a question of rational compromise. It is no more than that, Robert. [00:52:46] Speaker F: That is all very well for other men. For men who treat life simply as a sordid speculation. But not for you, Robert. Not for you. You are different. All your life you have stood apart from others. You have never let the world soil you. To the world as to myself. You have been an ideal always. Oh, be that ideal still. That great inheritance. Throw not away that tower of ivory. Do not destroy, Robert. Men can love what is beneath them. Things unworthy, stained, dishonoured. We women worship when we love. And when we lose our worship, we lose everything. Oh, don't kill my love for you. Don't kill that, Gertrude. Jack, I know that there are men with horrible secrets in their lives. Men who have done some shameful thing and who in some critical moment have to pay for it by doing some other act of shame. Oh, don't tell me you are such as they are. Robert. Is there in your life, life any secret dishonour or disgrace? Tell me. Tell me at once that. [00:53:56] Speaker B: That what? [00:53:58] Speaker A: Speaking very slowly. [00:54:00] Speaker F: That our lives may drift apart, Jack. [00:54:03] Speaker B: Drift apart. [00:54:06] Speaker F: That they may be entirely separate. It would be better for us both, Jack. [00:54:11] Speaker B: Gertrude, there is nothing in my past life that you might not know. [00:54:16] Speaker F: I was sure. Sure of it, Robert. I was sure of it. But why did you say those dreadful things? Things so unlike your real self? Don't let us ever talk about the subject again. You will write, won't you, to Mrs. Cheveley and tell her that you cannot support this Scandalous scheme of hers. If you have given her any promise, you must take it back. That is all. [00:54:38] Speaker B: Must I write and tell her that? [00:54:41] Speaker F: Surely, Robert. What else is is there to do? [00:54:44] Speaker B: I might see her personally. It would be better. [00:54:48] Speaker F: You must never see her again, Robert. She is not a woman you should ever speak to. She is not worthy to talk to a man like you. No, you must write to her at once. Now, this moment. And let your letter show her that your decision is quite irrevocable. [00:55:05] Speaker B: Write this moment? [00:55:08] Speaker F: Yes. [00:55:10] Speaker B: But it is so late. It is close on 12. [00:55:14] Speaker F: That makes no matter. She must know at once that she has been mistaken in you and that you are not a man to do anything base or underhanded or dishonourable. Write here, Robert. Write that you decline to support this scheme of hers as you hold it to be a dishonest scheme. Yes, write the word dishonest. She knows what that word means. [00:55:37] Speaker A: Sir Robert Chiltern sits down and writes her letter. His wife takes it up and reads it. [00:55:43] Speaker F: Yes, that will do. Rings BELL and now the envelope. [00:55:48] Speaker A: He writes the envelope slowly. Enter Mason. [00:55:52] Speaker F: Have this letter sent at once to Claridge's hotel. There is no answer. [00:55:57] Speaker A: Exit Mason. Lady Chiltern kneels down beside her husband and puts her arms around him. [00:56:03] Speaker F: Robert. Love gives one an instinct to things. I feel to night that I have saved you from something that might have been a danger to you. From something that might have made men honour you less than they do. I don't think you realize sufficiently, Robert, that you have brought into the political life of our time a nobler atmosphere, a finer attitude towards life. A freer air of pure, purer aims and higher ideals. I know it. And for that I love you, Robert. [00:56:35] Speaker B: Oh, love me always, Gertrude. Love me always. [00:56:40] Speaker F: I will love you always because you will always be worthy of love. We needs must love the highest when. [00:56:47] Speaker A: We see it kisses him and rises and goes out. Sir Robert Chiltern walks up and down for a moment, then sits down and buries his face in his hands. The servant enters and begins pulling out the lights. Sir Robert Chiltern looks up. [00:57:06] Speaker B: Put out the lights, Mason. Put out the lights. [00:57:11] Speaker A: The servant puts out the lights. The room becomes almost dark. The only light there is comes from the great chandelier that hangs over the staircase and illumines the tapestry of the triumph of love. End of Act 1 second act scene morning room at Sir Robert Chiltern's house. Lord Goring, dressed in the height of fashion, is lounging in an armchair. Sir Robert Chiltern Is standing in front of the fireplace. He is evidently in a state of great mental excitement and distress. As the scene progresses, he paces nervously up and down the room. [00:58:00] Speaker C: My dear Robert, it is a very awkward business. Very awkward indeed. You should have told your wife the whole thing. Secrets from other people's wives are a necessary luxury in modern life. So at least I am told at the club by people who are bald enough to know better. But no man should have a secret from his own wife. She invariably finds it out. Women have a wonderful instinct about things. They can discover everything except the obvious. [00:58:33] Speaker B: Arthur. I couldn't tell my wife. When could I have told her? Not last night. It would have made a lifelong separation between us. And I would have lost the love of the one woman in the world I worship. Of the only woman who has ever stirred love within me. Last night it would have been quite impossible. She would have turned from me in horrorin horror and in contempt. [00:59:01] Speaker C: Is Lady Chiltern as perfect as all that? [00:59:05] Speaker B: Yes, my wife is as perfect as all that. [00:59:11] Speaker A: Taking off his left hand glove. [00:59:14] Speaker C: What a pity. I beg your pardon, my dear fellow. I didn't quite mean that. But if what you tell me is true, I should like to have a serious talk about life with Lady Chiltern. [00:59:27] Speaker B: It would be quite useless. [00:59:30] Speaker C: May I try? [00:59:33] Speaker B: Yes. But nothing could make her alter her views. [00:59:37] Speaker C: Well, at the worst it would simply be a psychological experiment. [00:59:42] Speaker B: All such experiments are terribly dangerous. [00:59:47] Speaker C: Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living. Well, I am bound to say that. I think you should have told her years ago when. [01:00:00] Speaker B: When we were engaged. Do you think she would have married me if she had known that the origin of my fortune is. Is, such as it is, the basis of my career? Such as it is. And that I had done a thing that I suppose most men would call shameful and dishonourable? [01:00:17] Speaker A: Slowly. [01:00:18] Speaker C: Yes. Most men would call it ugly names. There is no doubt of that. [01:00:24] Speaker A: Bitterly. [01:00:26] Speaker B: Men who every day do something of the same kind themselves. Men who each one of them have worse secrets in their own lives. [01:00:35] Speaker C: That is the reason they are so pleased to find out other people's secrets. It distracts public attention from their own. [01:00:43] Speaker B: And after all, whom did I wrong by what I did? [01:00:47] Speaker A: No one looking at him steadily except yourself, Robert. After a pause. [01:00:57] Speaker B: Of course, I had private information about a certain transaction contemplated by the government of the day and I acted on it. Private information is practically the source of every large modern fortune. [01:01:12] Speaker A: Tapping his boot with his cane and. [01:01:15] Speaker C: Public scandal invariably the result? [01:01:19] Speaker A: Pacing up and down the room. [01:01:22] Speaker B: Arthur, do you think that what I did nearly 18 years ago should be brought up against me now? Do you think it fair that a man's whole career should be ruined for a fault done in one's boyhood? Almost. I was 22 at the time. And I had the double misfortune of being well born and poortwo. Unforgivable things nowadays. Is it fair that the folly, the sin of one's youth, if men choose to call it a sin, should wreck a life like mine? Should place me in the pillory? Should shatter all that I have worked for, all that I have built up? Is it fair, Arthur? [01:02:03] Speaker C: Life is never fair, Robert. And perhaps it is a good thing for most of us that it is not. [01:02:09] Speaker B: Every man of ambition has to fight his century with its own weapons. What this century worships is wealth. The God of this century is wealth. To succeed, one must have wealth. At all costs, one must have wealth. [01:02:27] Speaker C: You underrate yourself, Robert. Believe me, without wealth, you could have succeeded just as well. [01:02:34] Speaker B: When I was old, perhaps when I had lost my passion for power, or could not use it, when I was tired, worn out, disappointed. I wanted my success when I was young. Youth is the time for success. I couldn't wait. [01:02:53] Speaker C: Well, you certainly have had your success while you are still young. No one in our day has had such a brilliant success. Under Secretary for Foreign affairs at the age of 40. That's good enough for any one, I should think. [01:03:07] Speaker B: And if it is all taken away from me now, if I lose everything over a horrible scandal, if I am hounded from public life. [01:03:16] Speaker C: Robert, how could you have sold yourself for money? [01:03:20] Speaker A: Excitedly. [01:03:22] Speaker B: I did not sell myself for money. I bought success at a great price. [01:03:28] Speaker A: That is all, Gravely. [01:03:32] Speaker C: Yes, you certainly paid a great price for it. But what first made you think of doing such a thing? [01:03:40] Speaker B: Baron Arnheim. [01:03:42] Speaker C: Damned scoundrel. [01:03:44] Speaker B: No. He was a man of a most subtle and refined intellect. A man of culture, charm and distinction. One of the most intellectual men I ever met. [01:03:56] Speaker C: Ah. I prefer a gentlemanly fool any day. There is more to be said for stupidity than people imagine. Personally, I have a great admiration for stupidity. It is a sort of fellow feeling, I suppose. But how did he do it? Tell me. The whole thing. [01:04:15] Speaker A: Throws himself into an armchair by the writing table. [01:04:19] Speaker B: One night after dinner at Lord Radley's, the Baron began talking about success in modern life as something that one could reduce to an absolutely definite science. With that wonderfully fascinating, quiet voice of his, his, he expounded to Us, the most terrible of all philosophiesthe philosophy of power preached to us the most marvellous of all Gospels, the Gospel of Gold. I think he saw the effect he had produced on me for some days. Afterwards he wrote and asked me to come and see him. He was living then in Park Lane, in the house Lord Walcombe has now. I remember so well now, with a strange smile on his pale, curved lips, he led me through his wonderful picture gallery, showed me his tapestries, his enamels, his jewels, his carved ivories. Made me wonder at the strange loveliness of the luxury in which he lived. And then told me that luxury was nothing but a background, a painted scene in a play. And that power, power over other men, power over the world, was the one thing worth having, the one supreme pleasure worth knowing, the one joy one never tired of. And that in our century only the. [01:05:43] Speaker A: Rich possessed it with great deliberation, a. [01:05:48] Speaker C: Thoroughly shallow creed rising. [01:05:53] Speaker B: I didn't think so then. I don't think so now. Wealth has given me enormous power. It gave me, at the very outset of my life, freedom. And freedom is everything. You have never been poor and never known what ambition is. You cannot understand what a wonderful chance the Baron gave me. Such a chance as few men get. [01:06:15] Speaker C: Fortunately for them, if one is to judge by results. But tell me definitely, how did the Baron finally persuade you to. Well, to do what you did? [01:06:28] Speaker B: When I was going away, he said to me that if I ever could give him any private information of real value, he would make me a very rich man. I was dazed at the prospect he held out to me. And my ambition and my desire for power were at that time, boundless. Six weeks later, certain private documents passed through my hands. [01:06:52] Speaker A: Keeping his eyes steadily fixed on the carpet. [01:06:56] Speaker C: State documents, yes. [01:07:00] Speaker A: Lord GORING SIGHS Then, passing his hand across his forehead, looks up. [01:07:05] Speaker C: I had no idea that you, of all men in the world could have been so weak, Robert, as to yield to such a temptation as Baron Arnheim held out to you. [01:07:17] Speaker B: Weak. Oh, I am sick of hearing that phrase, sick of using it about others. Weak. Do you really think, Arthur, that it is weakness that yields to temptation? I tell you that there are terrible temptations. That it requires strength, strength and courage to yield to. To stake all one's life on a single moment, to risk everything on one throw. Whether the stake be power or pleasure, I care not. There is no weakness in that. There is a horrible. A terrible courage. I had that courage. I sat down the same afternoon and wrote Baron Arnheim the letter. This woman now Holds. He made three quarters of a million million over the transaction. [01:08:06] Speaker C: And you? [01:08:08] Speaker B: I received from the Baron £110,000. [01:08:12] Speaker C: You were worth more, Robert. [01:08:14] Speaker B: No. That money gave me exactly what I wanted. Power over others. I went into the house immediately. The Baron advised me in finance from time to time. Before five years, I had almost trebled my fortune. Since then, everything that I have touched has turned out a success. In all things connected with money, I have had a luck so extraordinary that sometimes it has made me almost afraid. I remember having read somewhere in some strange book that when the gods wish to punish us, they answer our prayers. [01:08:51] Speaker C: But tell me, Robert, did you never suffer any regret for what you had done? [01:08:57] Speaker B: No. I felt that I had fought the century with its own weapons and won. [01:09:04] Speaker A: Sadly. [01:09:06] Speaker C: You thought you had won. [01:09:09] Speaker B: I thought so. [01:09:11] Speaker A: After a long pause. [01:09:14] Speaker B: Arthur, do you despise me for what I've told you? [01:09:19] Speaker A: With deep feeling in his voice. [01:09:22] Speaker C: I am very sorry for you, Robert. Very sorry indeed. [01:09:27] Speaker B: I don't say that I suffered any remorse. I didn't. Not remorse in the ordinary, rather silly sense of the word. But I have paid conscience money many times. I had a wild hope that I might disarm destiny. The sum Baron Arnheim gave me I have distributed twice over. In politics, public charities. Since then. [01:09:51] Speaker C: Looking up in public charities. Dear me. What a lot of harm you must have done, Robert. [01:10:00] Speaker B: Oh, don't say that, Arthur. Don't talk like that. [01:10:04] Speaker C: Never mind what I say, Robert. I am always saying what I shouldn't say. In fact, I usually say what I really think. A great mistake nowadays. It makes one so liable to be misunderstood. As regards to this dreadful business. I will help you in whatever way I can. Of course, you know that. [01:10:22] Speaker B: Thank you, Arthur. Thank you. But what is to be done? What can be done? [01:10:29] Speaker A: Leaning back with his hands in his pockets. [01:10:32] Speaker C: Well, the English can't stand a man who is always saying he is in the right. But they are very fond of the man who admits that. That he has been in the wrong. It is one of the best things in them. However, in your case, Robert, a confession would not do. The money, if you will allow me to say so, is, ah, awkward. Besides, if you did make a clean breast of the whole affair, you would never be able to talk morality again. And in England, a man who can't talk morality twice a week to a large, popular, immoral audience is quite, quite over. As a serious politician. There would be nothing left for him as a profession except botany or the Church. A confession would be of no use. It would Ruin you? [01:11:21] Speaker B: It would ruin me, Arthur. The only thing for me to do now is to fight the thing out. [01:11:28] Speaker A: Rising from his chair. [01:11:31] Speaker C: I was waiting for you to say that. It is the only thing to do now. And you must begin by telling your wife the whole story. [01:11:41] Speaker B: That I will not do. [01:11:44] Speaker C: Robert, believe me, you are wrong. [01:11:49] Speaker B: I couldn't do it. It would kill her love for me. And now about this woman, Mrs. Cheveley. How can I defend myself against her? You knew her before, Arthur? Apparently, yes. Did you know her well? [01:12:07] Speaker A: Arranging his necktie. [01:12:09] Speaker C: So little that I got engaged to be married to her once when I was staying at the Tenbys. The affair lasted for three days nearly. [01:12:19] Speaker B: Why was it broken off airily? [01:12:23] Speaker C: Oh, I forget. At least it makes no matter. By the way, have you tried her with money? She used to be confoundedly fond of money. [01:12:33] Speaker B: I offered her any sum she wanted. She refused. [01:12:38] Speaker C: Then the marvellous gospel of gold breaks down sometimes. The rich can't do everything after all. [01:12:46] Speaker B: Not everything. I suppose you are right, Arthur. I feel that public disgrace is in store for me. I feel certain of it. I never knew what terror was before. I know it now. It is as if a hand of ice were laid upon one's heart. It is as if one's heart were beating itself to death in some empty. [01:13:09] Speaker A: Hollow, striking the table. [01:13:13] Speaker C: Robert, you must fight her. You must fight her. [01:13:17] Speaker B: But how? [01:13:19] Speaker C: I can't tell you how. At present, I have not the smallest idea. But every one has some weak point. There is some flaw in each one of us. [01:13:29] Speaker A: Strolls to the fireplace and looks at himself in the glass. [01:13:33] Speaker C: My father tells me that even I have faults. Perhaps I have. I don't know. [01:13:42] Speaker B: In defending myself against Mrs. Cheveley, I have a right to use any weapon I can find. [01:13:47] Speaker A: Have I not still looking in the. [01:13:50] Speaker C: Glass in your place? I don't think I should have the smallest scruple in doing so. She is thoroughly well able to take care of herself. [01:13:58] Speaker A: Sits down at the table and takes a pen in his hand. [01:14:02] Speaker B: Well, I shall send a cipher telegram to the embassy at Vienna to inquire if there is anything known against her. There may be some secret scandal. [01:14:10] Speaker A: She might be afraid of settling his buttonhole. [01:14:14] Speaker C: Oh, I should fancy Mrs. Chevely is one of those very modern women of our time who find a new scandal as becoming as a new bonnet, and air them both in the park every afternoon at 5.30. I am sure she adores scandals and that the sorrow of her life at present is that she can't Manage to have enough of them writing. [01:14:39] Speaker B: Why do you say that, turning round? [01:14:43] Speaker C: Well, she wore far too much rouge last night and not quite enough clothes. That is always a sign of despair. [01:14:50] Speaker A: In a woman striking a bell. [01:14:54] Speaker B: But it is worth while my writing to Vienna, is it not? [01:14:58] Speaker C: It is always worth while asking a question. Though it is not always worth while answering one. [01:15:05] Speaker A: Enter, Mason. [01:15:07] Speaker B: Is Mr. Trafford in his room? [01:15:10] Speaker A: Yes, Sir Robert puts what he has written into an envelope which he then carefully closes. [01:15:17] Speaker B: Tell him to have this sent off in cipher at once. There must not be a moment's delay. [01:15:23] Speaker A: Yes, Sir Robert. [01:15:26] Speaker B: Oh, just give that back to me again. [01:15:29] Speaker A: Write something on the envelope, Mason then goes out with the letter. [01:15:34] Speaker B: She must have had some curious hold over Baron Arnheim. I wonder what it was. [01:15:41] Speaker A: Smiling. [01:15:42] Speaker C: I wonder. [01:15:43] Speaker B: I will fight her to the death as long as my wife knows nothing strongly. [01:15:50] Speaker C: Oh, fight in any case. In any case. [01:15:57] Speaker A: With a gesture of despair. [01:15:59] Speaker B: If my wife found out, there would be little left to fight for. Well, as soon as I hear from Vienna, I shall let you know the result. It is a chance. Just a chance. But I believe in it. And as I fought the age with its own weapons, I shall fight her with her weapons. It is only fair. And she looks like a woman with a past, doesn't she? [01:16:24] Speaker C: Most pretty women do. But there's a fashion in pasts, just as there is a fashion in frocks. Perhaps Mrs. Cheveley's past is merely a slightly decollete one, and they are excessively popular nowadays. Besides, my dear Robert, I should not build too high hopes on frightening Miss Cheveley. I should not fancy. Miss Cheveley is a woman who would be easily frightened. She has survived all her creditors and she shows a wonderful presence of mind. [01:16:56] Speaker B: Oh, I live on hopes. Now I clutch at every chance. I feel like a man on a ship that is sinking. The water is round my feet and the very air is bitter with storm. Hush. I hear my wife's voice. [01:17:11] Speaker A: Enter Lady Chiltern in walking dress. [01:17:14] Speaker F: Good afternoon, Lord Goring. [01:17:17] Speaker C: Good afternoon, Lady Chiltern. Have you been in the park? [01:17:21] Speaker F: No, I have just come from the Woman's Liberal association, where, by the way, Robert, your name was received with loud applause. And now I have come in to. [01:17:31] Speaker A: Have my tea to Lord Goring. [01:17:35] Speaker F: You will wait and have some tea, won't you? [01:17:39] Speaker C: I'll wait for a short time, thanks. [01:17:42] Speaker F: I will be back in a moment. I am only going to take my hat off. [01:17:46] Speaker A: In his most earnest manner. [01:17:49] Speaker C: Oh, please don't. It is so pretty. One of the prettiest hats I ever saw. I hope the Women's Liberal association received it with loud applause. [01:18:01] Speaker A: With a smile. [01:18:02] Speaker F: We have much more important work to do than look at each other's bonnets, Lord Goring. [01:18:08] Speaker C: Really? What sort of work? [01:18:11] Speaker F: Oh, dull, useful, delightful things. Factory acts, female inspectors, the Eight Hours Bill, the Parliamentary franchise. Everything in fact, that you would find thoroughly uninteresting. [01:18:25] Speaker A: And never bonnets with mock indignation. [01:18:30] Speaker F: Never bonnets. Never. [01:18:33] Speaker A: Lady Chiltern goes out through the door leading to her boudoir, takes Lord Goring's hand. [01:18:40] Speaker B: You have been a good friend to me, Arthur. A thoroughly good friend. [01:18:45] Speaker C: I don't know that I have been able to do much for you, Robert, as yet. In fact, I have not been able to do anything for you as far as I can see. I am thoroughly disappointed with myself. [01:18:56] Speaker B: You have enabled me to tell the truth. That is something. The truth has always stifled me. [01:19:04] Speaker C: The truth is a thing I get rid of as soon as possible. Bad habit, by the way. Makes one very unpopular at the club with the older members. They call it being conceited. Perhaps it is. [01:19:20] Speaker B: I would to God that I'd been able to tell the truth. To live the truth. Ah, that is the greatest thing in life. To live the truth. [01:19:31] Speaker A: Sighs and goes towards the door. [01:19:33] Speaker B: I'll see you soon again, Arthur, shan't I? [01:19:37] Speaker C: Certainly. Whenever you like. I'm going to look in at the Bachelor's Ball to night unless I find something better to do. But I'll come round to morrow morning if you should want me to night. By any chance send round a note to Curzon Street. [01:19:52] Speaker B: Thank you. [01:19:54] Speaker A: As he reaches the door, Lady Chiltern enters from her boudoir. [01:19:58] Speaker F: You are not going, Robert? [01:20:00] Speaker B: I have some letters to write, dear. [01:20:03] Speaker A: Going to him. [01:20:04] Speaker F: You work too hard, Robert. You seem never to think of yourself. And you are looking so tired. [01:20:11] Speaker B: It is nothing, dear. Nothing. [01:20:14] Speaker A: He kisses her and goes out to Lord Goring. [01:20:20] Speaker F: Do sit down. I am so glad you have called. I wanted to talk to you about. Well, not about bonnets or the Women's Liberal Association. You take far too much interest in the first subject and not nearly enough in the second. [01:20:35] Speaker C: You want to talk to me about Mrs. Cheveley? [01:20:39] Speaker F: Yes. You have guessed it. After you left last night, I found out that what she had said was really true. Of course I made Robert write her a letter at once, withdrawing his promise. [01:20:51] Speaker C: So he gave me to understand. [01:20:54] Speaker F: To have kept it would have been the first stain on a career that has been stainless always. Robert must be above Reproach. He is not like other men. He cannot afford to do what other men do. [01:21:07] Speaker A: She looks at Lord Goring, who remains silent. [01:21:12] Speaker F: Don't you agree with me? You are Robert's greatest friend. You are our greatest friend, Lord Goring. No one except myself knows Robert better than you do. He has no secrets from me, and I don't think he has any from you. [01:21:29] Speaker C: He certainly has no secrets from me. At least, I don't think so. [01:21:34] Speaker F: Then am I not right in my estimate of him? I know I am right. But speak to me frankly. [01:21:41] Speaker A: Looking straight at her quite frankly. [01:21:46] Speaker F: Surely you have nothing to conceal, have you? [01:21:49] Speaker C: Nothing. But, my dear Lady Chiltern, I think, if you will allow me to say so, that in practical life. [01:22:00] Speaker F: Of which you know so little, Lord. [01:22:02] Speaker C: Goring, of which I know nothing by experience, though I know something by observation. I think that in practical life there is something about success, actual success, that is a little unscrupulous. Something about ambition that is unscrupulous. Always. Once a man has set his heart and soul on getting to a certain point. If he has to climb the crag, he climbs the crag. If he has to walk in the mire, well, he walks in the mire. Of course, I'm only talking generally about life, Jack Gravely. [01:22:43] Speaker F: I hope so. Why do you look at me so strangely, Lord Goring? [01:22:50] Speaker C: Lady Chiltern, I have sometimes thought that perhaps you were a little hard in some of your views on life. I think that often you don't make sufficient allowances. In every nature there are elements of weakness. Or worse than weakness. Supposing, for instance, that any public man, my father or Lord Merton or Robert, say, had years ago written some foolish letter to someone. [01:23:23] Speaker F: What do you mean by a foolish letter? [01:23:26] Speaker C: A letter, gravely compromising one's position. I am only putting an imaginary case. [01:23:32] Speaker F: Robert is as incapable of doing a foolish thing as he is of doing a wrong thing. [01:23:38] Speaker A: After a long pause. [01:23:41] Speaker C: Nobody is incapable of doing a foolish thing. Nobody's incapable of doing a wrong thing. [01:23:49] Speaker F: Are you a pessimist? What will the other dandies say? They will all have to go into mourning. [01:23:58] Speaker A: Rising. [01:23:59] Speaker C: No, Lady Chiltern, I am not a pessimist. Indeed, I am not sure that I quite know what pessimism really means. All I do know is that life cannot be understood without much charity. Cannot be lived without much charity. It is love and not German philosophy that is the true explanation of this world. Whatever may be the explanation of the next. And if you are ever in trouble, Lady Chiltern, trust me absolutely. And I will help you in every way I can. If you ever want me, come to me for my assistance and you shall have it. Come at once to me. [01:24:40] Speaker A: Looking at him in surprise, Lord Goring. [01:24:43] Speaker F: You are talking quite seriously. I. I don't think I ever heard you talk seriously before. [01:24:49] Speaker A: Laughing. [01:24:52] Speaker C: You must excuse me, Lady Chiltern. It won't occur again if I can help it. [01:24:59] Speaker F: But I like you to be serious. [01:25:01] Speaker A: Enter Mabel Chiltern in the most ravishing frock. [01:25:05] Speaker H: Dear Gertrude, don't say such a dreadful thing to Lord Goring. Seriousness would be very unbecoming to him. Good afternoon, Lord Goring. Pray be as trivial as you can. [01:25:17] Speaker C: I should like you to Ms. Mabel. But I am afraid I am a little out of practice this morning. Besides, I have to be going now. [01:25:27] Speaker H: Just when I have come in. What dreadful manners you have. I am sure you were very badly brought up. [01:25:34] Speaker C: I was. [01:25:36] Speaker H: I wish I had brought you up. [01:25:39] Speaker C: I am so sorry you didn't. [01:25:42] Speaker H: It is too late now, I suppose. [01:25:44] Speaker C: Smiling I'm not so sure. [01:25:47] Speaker H: Will you ride to morrow morning? [01:25:50] Speaker C: Yes, at 10. [01:25:52] Speaker H: Don't forget. [01:25:54] Speaker C: Of course I shan't. By the way, Lady Chiltern. There is no list of your guests in the morning post of to day. It has apparently been crowded out by the county council or the Lambeth Conference or something equally boring. Could you let me have a list? I have a particular reason for asking you. [01:26:14] Speaker F: I am sure Mr. Trafford will be able to give you one. [01:26:18] Speaker C: Thanks so much. [01:26:20] Speaker H: Tommy is the most useful person in London. [01:26:24] Speaker A: Turning to her. [01:26:25] Speaker C: And who is the most ornamental. [01:26:28] Speaker A: Triumphantly I am. [01:26:33] Speaker C: How clever of you to guess. [01:26:34] Speaker A: It takes up his hat and cane. [01:26:38] Speaker C: Good bye, Lady Chiltern. You will remember what I said to you, won't you? [01:26:43] Speaker F: Yes, but I don't know why you said it to me. [01:26:48] Speaker C: I hardly know myself. Good bye, Ms. Mabel. [01:26:52] Speaker A: With a little moue of disappointment. [01:26:55] Speaker H: I wish you were not going. I have had four wonderful adventures this morning. Four and a half in fact. You might stop and listen to some of them. [01:27:05] Speaker C: How very selfish of you to have four and a half. There won't be any left for me. [01:27:11] Speaker H: I don't want you to have any. They would not be good for you. [01:27:15] Speaker C: That is the first unkind thing you have ever said to me. How charmingly you said it. 10 to morrow sharp. Quite sharp. But don't bring Mr. Trafford. [01:27:29] Speaker A: With a little toss of the head. [01:27:31] Speaker H: Of course I shan't bring Tommy Trafford. Tommy Trafford is in great disgrace. [01:27:37] Speaker C: I am delighted to hear it. [01:27:40] Speaker A: Bows and goes out. [01:27:43] Speaker H: Gertrude, I wish you Would speak to Tommy Trafford. [01:27:46] Speaker F: What has poor Mr. Trafford done this time? Robert says he is the best secretary he ever had. [01:27:54] Speaker H: Well, Tommy has proposed to me again. Tommy really does nothing but propose to me. He proposed to me last night in the music room when I was quite unprotected. As there was an elaborate trio going on. I didn't dare to make the smallest repartee. I need hardly tell you. If I had, it would have stopped the music at once. Musical people are so absurdly unreasonable. They always want one to be perfectly dumb at the very moment when one is longing to be absolutely deaf. Then he proposed to me in broad daylight this morning in front of that dreadful statue of Achilles. Really, the things that go on in front of that work of art are quite appalling. The police should interfere. At luncheon I saw by the glare in his eye that he was going to propose again. And I just managed to check him in time by assuring him that I was a bimetallist. Fortunately, I don't know what bimetallism means and I don't believe anybody else does either. But the observation crushed Tommy for 10 minutes he looked quite shocked. And then. Tommy is so annoying in the way he proposes. If he proposed at the top of his voice I should not mind it so much. That might produce some effect on the public. But he does it in a horrid confidential way. When Tommy wants to be romantic, he talks to one just like a doctor. I am very fond of Tommy, but his methods of proposing are quite out of date. I wish Gertrude, you would speak to him and tell him that once a week is quite often enough to propose to anyone. And that it should always be done in a manner that attracts some attention. [01:29:38] Speaker F: Dear Mabel, don't talk like that. Besides, Robert thinks very highly of Mr. Trafford. He believes he has a brilliant future before him. [01:29:48] Speaker H: Oh, I wouldn't marry a man with a future before him for anything under the sun, Mabel. I know dear. You married a man with the future, didn't you? But Robert was a genius. And you have a noble self sacrificing character. You can stand geniuses. I have no character at all. And Robert is the only genius I could ever bear. As a rule I think they are quite impossible. Geniuses talk so much, don't they? Such a bad habit. And they are always thinking about themselves when I want them to be thinking about me. I must go round now and rehearse at Lady Basildon's. You remember we are having tableaux, don't you? The triumph of something. I don't know what I hope. It will be a triumph of me. Only triumph I am really interested in at present. [01:30:38] Speaker A: Kisses Lady Chiltern and goes out. Then comes running back. [01:30:42] Speaker H: Oh, Gertrude. Do you know who is coming to see you? That dreadful Mrs. Cheveley in a most lovely gown. Did you ask her? [01:30:51] Speaker F: Mrs. Cheveley coming to see me? Impossible. [01:30:56] Speaker H: I assure you she is coming upstairs. As large as life and not nearly so natural. [01:31:01] Speaker F: You need not wait, Mabel. Remember Lady Basildon is expecting you. [01:31:06] Speaker H: Oh, I must shake hands with Lady Markby. She is delightful. I love being scolded by her. [01:31:13] Speaker A: Enter mason, Lady Markby. Mrs. Cheverley. Enter. Lady Markby and Mrs. Chevel advancing to meet them. [01:31:24] Speaker F: Dear Lady Markbeer, how nice of you to come and see me. [01:31:28] Speaker A: Shakes hands with her and bows somewhat distantly to Mrs. Cheveley. [01:31:32] Speaker F: Won't you sit down, Mrs. Cheveley? [01:31:35] Speaker E: Thanks. Isn't that Miss Chiltern? I should like so much to know her. [01:31:42] Speaker F: Mabel. Mrs. Cheveley wishes to know you. [01:31:45] Speaker A: Mabel Chiltern gives a little nod sitting down. [01:31:50] Speaker E: I thought your frock so charming last night, Miss Chiltern. So simple and suitable. [01:31:57] Speaker H: Really? I must tell my dressmaker. It will be such a surprise to her. Good bye, Lady Markby. [01:32:04] Speaker G: Going already? [01:32:06] Speaker H: I am so sorry, but I am obliged to. I am just off to rehearsal. I have got to stand on my head in some tableau. [01:32:14] Speaker G: On your head, child? Oh, I hope not. I believe it is most unhealthy. [01:32:19] Speaker A: Takes a seat on the sofa next to Lady Chiltern. [01:32:22] Speaker H: But it is for an excellent charity in aid of the undeserving. The only people I am really interested in. I am the secretary and Tommy Trafford is treasurer. [01:32:33] Speaker E: And what is Lord Goring? [01:32:35] Speaker H: Oh, Lord Goring is President. [01:32:37] Speaker E: The post should suit him admirably. Unless he has deteriorated since I knew him first reflecting. [01:32:46] Speaker G: You are remarkably modern, Mabel. A little too modern, perhaps. Nothing is so dangerous as being too modern. One is apt to grow old fashioned quite suddenly. I have known many instances of it. [01:32:59] Speaker H: What a dreadful prospect. [01:33:02] Speaker G: Ah, my dear, you need not be nervous. You will always be as pretty as possible. Possible. That is the best fashion there is. And the only fashion that England succeeds in setting. [01:33:14] Speaker H: Thank you so much, Lady Markby. For England and myself. [01:33:21] Speaker A: Turning to Lady Chiltern. [01:33:23] Speaker G: Dear Gertrude, we just called to know if Mrs. Cheveley's diamond brooch has been found here. [01:33:30] Speaker E: Yes, I missed it when I got back to Claridge's. And I thought I might possibly have dropped it here. [01:33:37] Speaker F: I have heard nothing about it. But I Will send for the butler. [01:33:41] Speaker A: And ask touches the bell. [01:33:45] Speaker E: Oh, pray don't trouble Lady Chiltern. I dare say I lost it at the opera before we came on here. [01:33:53] Speaker G: Ah, yes, I suppose it must have been at the opera. The fact is, we all scramble and jostle so much nowadays that I wonder we have anything at all left on us at the end of an evening. I know myself that when I am coming back from the drawing room, I always feel as if I hadn't a shred on me except a small shred of decent reputation. Just enough to prevent the lower classes making painful observations through the windows of the carriage. The fact is that our society is terribly overpopulated. Really. Some one should arrange a proper scheme of assisted emigration. It would do a great deal as good. [01:34:28] Speaker E: I quite agree with you, Lady Markby. It is nearly six years since I have been in London for the season, and I must say society has become dreadfully mixed. One sees the oddest people everywhere. [01:34:42] Speaker G: That is quite true, dear, but one needn't know them. I'm sure I don't know half the people who come to my house. Indeed, from all I hear, I shouldn't like to enter. [01:34:52] Speaker A: Mason, what sort of a brooch was. [01:34:55] Speaker F: It that you lost, Mrs. Cheveley? [01:34:57] Speaker E: A diamond snake brooch with a ruby. A rather large ruby. [01:35:03] Speaker G: I thought you said there was a sapphire on the head, dear. [01:35:07] Speaker A: Smiling? [01:35:09] Speaker E: No, Lady Markby, a ruby. [01:35:12] Speaker G: Nodding her head and very becoming, I am quite sure. [01:35:18] Speaker F: Has a ruby and diamond brooch been found in any of the rooms this morning, Mason? [01:35:24] Speaker A: No, my lady. [01:35:25] Speaker E: It really is of no consequence. Lady Chiltern, I am so sorry to have put you to any inconvenience coldly. [01:35:34] Speaker F: Oh, it has been no inconvenience. That will do, Mason. You can bring tea. [01:35:40] Speaker A: Exit, Mason. [01:35:42] Speaker G: Well, I must say it is most annoying to lose anything. I remember once at Bath years ago, leasing in the Pump Room and exchange exceedingly handsome cameo bracelets that Sir John had given me. I don't think he has ever given me anything since. I am sorry to say he is sadly degenerated. Really, this horrid House of Commons quite ruins our husbands for us. I think the Lower House, by far the greatest blow to a happy married life that there has been since that terrible thing called the higher education of women was invented. [01:36:13] Speaker F: Ah. It is heresy to say that in this house, Lady Markby Robert is a great champion of the higher education of women. And so, I am afraid, am I. [01:36:24] Speaker E: The higher education of men is what I should like to see. Men need it so sadly. Cecily. [01:36:30] Speaker G: They do, dear, but I am afraid such a scheme would be quite unpracticable. I don't think man has much capacity for development. He has got as far as he can. And that is not far, is it? With regard to what? Women. Well, dear Gertrude, you belong to the younger generation and I am quite sure it is all right, if you approve of it. In my time, of course, we were taught not to understand anything. That was the old system. And wonderfully interesting it was. I assure you that the amount of things I and my poor dear sister were taught not to understand was quite extraordinary. But modern women understand everything, I am. [01:37:06] Speaker E: Told, except their husbands. That is the one thing the modern woman never understands. [01:37:14] Speaker G: And a very good thing too, dear. I dare say. It might break up many a happy home if they did. Not yours, I need hardly say, Gertrude. You have married a pattern husband. I wish I could say as much for myself. But since Sir John has taken to attending the debates regularly, which he never used to in the good old days, his language is because become quite impossible. He always seems to think he is addressing the House. And consequently, whenever he discusses the state of the agricultural labourer or the Welsh church or something quite improper of that kind, I am obliged to send all the servants out of the room. Is it not unpleasant to see one's own butler who has been with one for 23 years, actually blushing at the sideboard and the footmen making contortions and corners? Owners like persons in circuses. I assure you my life will be quite ruined unless they send Sir John at once to the upper House. He won't take any interest in politics then, will he? The House of Lords is so sensible an assembly of gentlemen. But in his present state, Sir John is really a great trial. Why this morning before breakfast was half over, he stood up on the hearth rug, put his hands in his pockets and appealed to the country at the time. Top of his voice. I left the table as soon as I had my second cup of tea. I need hardly say, but his violent language could be heard all over the House. I trust, Gertrude, that Sir Robert is not like that. [01:38:40] Speaker F: But I am very much interested in politics, Lady Markby. I love to hear Robert talk about them. [01:38:46] Speaker G: Well, I hope he is not as devoted to blue books as Sir John is. I don't think they can be quite improving reading for one. [01:38:54] Speaker A: Languidly. [01:38:56] Speaker E: I have never read a blue book. I prefer books in yellow covers. [01:39:02] Speaker A: Jean Lily Unconscious. [01:39:05] Speaker G: Yellow is a gayer colour, is it not? I used to wear yellow a good deal in my early Days, and would do so now if Sir John was not so painfully personal in his observations. And a man on the question of dress is always ridiculous, is he not? [01:39:19] Speaker E: Oh, no. I think men are the only authorities on dress, really. [01:39:25] Speaker G: One wouldn't say so from the sort of hats they wear, would one? [01:39:29] Speaker A: The butler enters, followed by the footman. Tea is set on a small table close to Lady Chiltern. [01:39:35] Speaker F: May I give you some tea, Mrs. Cheveley? [01:39:39] Speaker E: Thanks. [01:39:41] Speaker A: The butler hands Mrs. Cheveley a cup of tea on a salver. [01:39:45] Speaker F: Some tea, Lady Markby? [01:39:47] Speaker G: No, thanks, dear. [01:39:49] Speaker A: The servants go out. [01:39:51] Speaker G: The fact is, I have promised to go round for 10 minutes to see poor Lady Brancaster, who is in very great trouble. Her daughter, quite a well brought up girl too, has actually become engaged to be married to a curate in Shropshire. It is very sad, very sad indeed. I can't understand this modern mania for curates. In my time. We girls saw them, of course, running around the place like rabbits, but we never took any notice of them, I need hardly say. But I am told that nowadays country society is quite honeycombed with them. I think it most irreligious. And then the eldest son has quarrelled with his father. And it is said that when they meet at the club, Lord Braincaster always hides himself behind the money article in the Times. However, I believe it is quite a common occasion occurrence nowadays. And that they have to take in extra copies of the Times at all the clubs in St James's Street. There are so many sons who won't have anything to do with their fathers. And so many fathers who once speak to their sons. I think myself it is very much to be regretted, Cecily. [01:40:51] Speaker E: So do I. Fathers have so much to learn from their sons nowadays. Cecily. [01:40:57] Speaker G: Really, dear. What? [01:40:59] Speaker E: The art of living. The only fine art we have printed produced in modern times. [01:41:06] Speaker G: Ah. I am afraid Lord Brinkaster knew a good deal about that. More than his poor wife ever did. [01:41:12] Speaker A: Turning to Lady Chiltern, you know Lady. [01:41:15] Speaker G: Brinkaster, don't you, dear? [01:41:17] Speaker F: Just slightly. She was staying at Langton last autumn when we were there. [01:41:23] Speaker G: Well, like all stout women, she looks the very picture of happiness, as no doubt you noticed. But there are many tragedies. And her family besides this affair of the curate. Her own sister, Mrs. Jekyll, had a most unhappy life through no fault of her own, I am sorry to say. She ultimately was so broken hearted that she went into a convent or on to the operatic stage. I forget which. No, I think it was decorative art needlework she took up. I know she had lost all sense of pleasure in life. And now Gertrude, if you will allow me, I shall leave Mrs. Cheveley in your charge and call back for any her in a quarter of an hour. Or perhaps, dear Mrs. Cheveley, you wouldn't mind waiting in the carriage while I am with Lady. As I intend it to be a visit of condolence, I shan't stay long. [01:42:10] Speaker E: I don't mind waiting in the carriage at all. Provided there is somebody to look at one. [01:42:15] Speaker G: Well, I hear the curates always prowling about the house. [01:42:20] Speaker E: I am afraid I am not fond of girl friends rising. [01:42:25] Speaker F: Oh, I hope Mrs. Cheveley will stay here a little. I should like to have a few minutes conversation with her. [01:42:33] Speaker E: How very kind of you, Lady Chiltern. Believe me, nothing would give me greater pleasure. [01:42:39] Speaker G: Ah, no doubt you both have many pleasant reminiscences of your schooldays to talk over together. Good bye, dear Gertrude. Shall I see you at Lady Bonar's to night? She discovered a wonderful new genius. He does nothing at all. I believe that is a great comfort, is it not? [01:42:57] Speaker F: Robert and I are dining at home by ourselves to night and I don't think I shall go anywhere afterwards. Robert of course will have to be in the house. But there is nothing interesting on dining. [01:43:09] Speaker G: At home by yourselves. Is that quite prudent. Ah, I forget. Your husband is an exception. Mine is the general rule. And nothing ages a woman so rapidly as having married the general rule. [01:43:21] Speaker A: Exit Lady Markby. [01:43:24] Speaker E: Wonderful woman Lady Markby, isn't she? Talks more and says less than anybody I ever met. She is made to be a public speaker. Much more so than her husband, though he is a typical Englishman. Always dull and usually violent. [01:43:41] Speaker A: Makes no answer but remains standing. There is a pause, then the eyes of the two women meet. Lady Chiltern looks stern and pale. Mrs. Cheveley seems rather amused. [01:43:54] Speaker F: Mrs. Cheveley, I think it is right to tell you quite frankly that had I known who you really were, I should not have invited you to my. [01:44:02] Speaker A: House last night with an impertinent smile. [01:44:06] Speaker F: Really, I could not have done so. [01:44:09] Speaker E: I see that after all these years you have not changed a bit, Gertrude. [01:44:14] Speaker F: I never change. [01:44:16] Speaker A: Elevating her eyebrows then. [01:44:18] Speaker E: Life has taught you nothing? [01:44:20] Speaker F: It has taught me that a person who has once been guilty of a dishonest and dishonourable action may be guilty of it a second time and should be shunned. [01:44:29] Speaker E: Would you apply that rule to everyone? [01:44:33] Speaker F: Yes, to every one. Without exception. [01:44:36] Speaker E: Then I am sorry for you, Gertrude. Very sorry for you. [01:44:40] Speaker F: See now, I was sure that for many reasons, any further acquaintance between us during your stay in London is quite impossible. [01:44:48] Speaker A: Leaning back in her chair. [01:44:51] Speaker E: Do you know, Gertrude, I don't mind your talking morality a bit. Morality is simply the attitude we adopt towards people whom we personally dislike. You dislike me? I am quite aware of that. And I have always detested you. And yet I have come here to do you a service. [01:45:10] Speaker A: Contemptuously. [01:45:12] Speaker F: Like the service you wished to render my husband last night, I suppose. Thank heaven I saved him from that. [01:45:19] Speaker A: Starting to her feet. [01:45:20] Speaker E: It was you who made him write that insolent letter to me. It was you who made him break his promise. [01:45:27] Speaker F: Yes. [01:45:28] Speaker E: Then you must make him keep it. I give you till to morrow morning, no more. If by that time your husband does not solemnly bind himself to help me in this great scheme in which I am interested. [01:45:42] Speaker F: This fraudulent speculation. [01:45:45] Speaker E: Call it what you choose. I hold your husband in the hollow of my hand. And if you are wise, you will make him do what I tell him. [01:45:54] Speaker A: Rising and going towards her. [01:45:57] Speaker F: You are impertinent. What has my husband to do with you? With a woman like you? [01:46:03] Speaker A: With a bitter laugh? [01:46:06] Speaker E: In this world, like meets with like. It is because your husband is himself fraudulent and dishonest that we pair so well together. Between you and him there are chasms. He and I are closer than friends. We are enemies linked together. The same sin binds us. [01:46:26] Speaker F: How dare you class my husband with yourself. How dare you threaten him or me? Leave my house. You are unfit to enter it. [01:46:34] Speaker A: Sir Robert Chiltern enters from behind. He hears his wife's last words and sees to whom they are addressed. [01:46:40] Speaker C: He. [01:46:41] Speaker A: He grows deadly pale. [01:46:43] Speaker E: Your house. A house bought with the price of dishonour. A house. Everything in which he has paid for by fraud. [01:46:50] Speaker A: Turns around and sees Sir Robert Chiltern. [01:46:53] Speaker E: Ask him what the origin of his fortune is. Get him to tell you how he sold to a stockbroker a cabinet secret. Learn from him to what you owe your position. [01:47:04] Speaker F: It is not true, Robert. It is not true. [01:47:08] Speaker A: Pointing at him with outstretched finger. [01:47:10] Speaker E: Look at him. Can he deny it? Does he dare to go? [01:47:15] Speaker B: Go at once. You have done your worst now. [01:47:18] Speaker E: My worst? I have not yet finished with you. With either of you. I give you both till to morrow at noon. If by then you don't do what I bid you to do, the whole world shall know the origin of Robert J. Chiltern. [01:47:34] Speaker A: Sir Robert Chiltern strikes the bell. Enter. [01:47:37] Speaker B: Mason, show Mrs. Cheveley out. [01:47:40] Speaker A: Mrs. Cheveley starts, then bows with somewhat exaggerated politeness to Lady Chiltern, who makes no sign of response as she passes by Sir Robert Chiltern, who is standing close to the door. She pauses for a moment and looks him straight in the face. She then goes out, followed by the servant who closes the door after him. The husband and wife are left alone. Lady Chiltern stands like someone in a dreadful dream. When she turns round and looks at her husband, she looks at him with strange eyes, as though she were seeing him for the first time. [01:48:13] Speaker F: You sold a cabinet secret for money. You began your life with fraud. You built up your career on dishonour. Oh, tell me it's not true. Lie to me. Lie to me. Tell me it's not true. True. [01:48:25] Speaker B: What this woman said is quite true. But Gertrude, listen to me. You don't realize how I was tempted. Let me tell you. The whole thing goes towards her. [01:48:36] Speaker F: Don't come near me. Don't touch me. I feel as if you had soiled me forever. Oh, what a mask you have been wearing all these years. A horrible painted mask. You sold yourself for money. Oh, a common thief. Were better you put yourself up to sale to the highest bidder. You were bought in the market. You lied to the whole world. And yet you will not lie to me. [01:49:02] Speaker A: Rushing towards her. [01:49:03] Speaker B: Gertrude. Gertrude. [01:49:06] Speaker A: Thrusting him back with outstretched hands. [01:49:08] Speaker F: No, don't speak. Say nothing. Your voice wakes terrible memories. Memories of things that made me laugh, love you. Memories of words that made me love you. Memories that now are horrible to me. And how I worshipped you. You were to me something apart from common life. A thing pure, noble, honest, without stain. The world seemed to me finer because you were in it. And goodness more real because you lived and it now. Oh, when I think that I made of a man like you my ideal, the ideal of my life. [01:49:49] Speaker B: There was your mistake. There was your error, the error all women commit. Why can't you women love us, faults and all? Why do you place us on monstrous pedestals? We have all feet of clay, women as well as men. But when we men love women, we love them, knowing their weaknesses, their follies, their imperfections. Love them all the more. It may be for that reason it is not the perfect, but the imperfect who have need of love. It is when we are wounded by our own hands or by the hands of others, that love should come to cure us. Else what use is love at all? All sins except a sin against itself. Love should forgive all lives save loveless lives. True love should pardon. A man's love is like that. It is wider, larger, more human. Than a woman's. Women think that they are making ideals of men. What they are making of us are false idols merely. You made your false idol of me. And I had not the courage to come down, show you my wounds, tell you my weaknesses. I was afraid that I might lose your love, as I have lost it now. And so last night you ruined my life for me. Yes. Ruined it. What this woman asked of me was nothing compared to what she offered to me. She offered some security, peace, stability. The sin of my youth that I had thought was buried rose up in front of me. Hideous, horrible, with its hands at my throat. I could have killed it forever. Sent it back into its tomb, destroyed its record, burned the one witness against me. You prevented me. No one but you. You know it. And now what is there before me but public disgrace? Ruin, terrible shame, the mockery of the world. A lonely, dishonoured life. A lonely, dishonoured death it may be some day. Let women make no more ideals of men. Let them not put them on altars and bow before them, or they may ruin other lives as completely as you. You, whom I have so wildly loved, have ruined mine. [01:52:22] Speaker A: He passes from the room. Lady Chiltern rushes towards him. But the door is closed when she reaches it. Pale with anguish, bewildered, helpless, she sways like a plant in the water. Her hands outstretched, stem to tremble in the air like blossoms in the mind. Then she flings herself down beside a sofa and buries her face. Her sobs are like the sobs of a child. Act 2 Third act the Library in Lord Goring's house. An Adam room. On the right is the door leading into the hall. On the left the door of the smoking room. A pair of folding doors at the back open into the drawing room. The fire is lit. Phipps the butler is arranging some newspapers on the writing table. The distinction of Phipps is his impassivity. He has been termed by enthusiasts the ideal butler. The Sphinx is not so incommunicable. He is a mask with a manner of his intellectual or emotional life. History knows nothing. He represents the dominance of form. Enter Lord Goring in evening dress with a button hole. He is wearing a silk hat and Inverness cape. White gloved. He carries a Louis cane. His are all the delicate fopperies of fashion. One sees that he stands in immediate relation to modern life. Makes it indeed, and so masters it. He is the first well dressed philosopher in the history of thought. [01:54:06] Speaker C: Got my second buttonhole for me, Phipps? [01:54:09] Speaker B: Yes, my Lord. [01:54:12] Speaker A: Takes his hat, cane and cape and presents new buttonhole on Salver rather distinguished thing. [01:54:18] Speaker C: Fips. I am the only person of the smallest importance in London at present who wears a buttonhole. [01:54:28] Speaker B: Yes, my lord. [01:54:29] Speaker A: I have observed that taking out old buttonhole. [01:54:35] Speaker C: You see, Fips. Fashion is what one wears oneself. What is unfashionable is what other people wear. [01:54:44] Speaker B: Yes my lord. [01:54:46] Speaker C: Just as vulgarity is simply the conduct of other people. [01:54:51] Speaker B: Yes, my lord. [01:54:54] Speaker A: Putting in a new buttonhole and falsehoods. [01:54:57] Speaker C: The truths of other people. [01:55:00] Speaker B: Yes my lord. [01:55:02] Speaker C: Other people are quite dreadful. The only possible society is oneself. [01:55:09] Speaker B: Yes, my Lord. [01:55:11] Speaker C: To love oneself is the beginning of a lifelong romance. Phipps. [01:55:19] Speaker B: Yes, my lord. [01:55:21] Speaker A: Looking at himself in the glass. [01:55:24] Speaker C: Don't think I quite like this buttonhole. Fips makes me look a little too old. Makes me almost in the prime of life. Eh, Fips? [01:55:37] Speaker B: I don't observe any alteration in your lordship's appearance. [01:55:43] Speaker C: You don't fips? [01:55:46] Speaker B: No my lord. [01:55:47] Speaker C: I am not quite sure for the future a more trivial button hole. Fips. On Thursday evenings I will speak to. [01:55:58] Speaker B: The florist, my lord. She has had a loss in her family lately. Which perhaps accounts for the lack of triviality your lordship complains of in the button hole. [01:56:12] Speaker C: Extraordinary thing about the lower classes in England. They are always losing their relations. [01:56:18] Speaker B: Yes my lord. They are extremely fortunate in that respect. [01:56:24] Speaker A: Turns round and looks at him. Phipps remains impassive. [01:56:28] Speaker C: H'm. Any letters? Fips? [01:56:34] Speaker B: Three, my lord. [01:56:37] Speaker A: Hands letters on Salver takes letters. [01:56:41] Speaker C: Watt my Cab around in 20 minutes. [01:56:45] Speaker B: Yes, my lord. [01:56:47] Speaker A: Goes towards door. Holds up letter in pink envelop. [01:56:54] Speaker C: Phipps. When did this letter arrive? [01:56:59] Speaker B: It was brought by hand just after your lordship went to the club. [01:57:06] Speaker C: That will do. [01:57:08] Speaker A: Exit Phipps. [01:57:10] Speaker C: Lady Chiltern's handwriting on Lady Chiltern's pink notepaper. That is rather curious. I thought Robert was to write. Wonder what Lady Chiltern has got to say to me. [01:57:25] Speaker A: Sits at bureau and opens letter and reads it. [01:57:28] Speaker C: I want you. I trust you. I am coming to you. [01:57:32] Speaker A: Gertrude puts down the letter with a puzzled look. Then takes it up and reads it again slowly. [01:57:39] Speaker C: I want you. I trust you. I am coming to you. So she has found out everything. Poor woman. Poor woman. [01:57:52] Speaker A: Pulls out watch and looks at it. [01:57:55] Speaker C: But what an hour to call. 10:00 clock. Oh, I shall have to give up going to the Berkshires. However it is always nice to be expected and not to arrive. I am not expected at the Bachelor's so I shall certainly go there. Well, I will make her stand by her husband. That is the only thing for her to do. That is the Only thing for any woman to do. It is the growth of the moral sense in women that makes marriage such a hopeless one sided institution. 10 o' clock. She should be here soon. I must tell Fips. I am not in to any one else. [01:58:37] Speaker A: Goes towards Bell. Enter. [01:58:40] Speaker B: Fips, Lord Caversham. [01:58:43] Speaker C: Oh, why will parents always appear at the wrong time? Some extraordinary mistake in nature I suppose. [01:58:51] Speaker A: Enter Lord Caversham. [01:58:54] Speaker C: Delighted to see you, my dear. [01:58:56] Speaker A: Father goes to meet him. [01:58:59] Speaker I: Take my cloak off. [01:59:01] Speaker C: Is it worth while, father? [01:59:04] Speaker I: Of course it is worth while, sir. Which is the most comfortable chair? [01:59:09] Speaker C: This one, father. It is a chair I use myself when I have visitors. [01:59:15] Speaker I: Thank ye. No draught I hope in this room. [01:59:18] Speaker C: No. [01:59:21] Speaker A: Sitting down. [01:59:22] Speaker I: Glad to hear it. Can't stand draughts. No draughts at home. [01:59:27] Speaker C: Good many breezes, Father. [01:59:30] Speaker I: Eh? [01:59:31] Speaker E: Eh. [01:59:31] Speaker I: Don't understand what you mean. Want to have a serious conversation with you, sir. [01:59:37] Speaker C: My dear father. At this hour? [01:59:40] Speaker I: Well sir, it is only 10 o' clock. What is your objection to the hour? I think the hour is an admirable hour. [01:59:47] Speaker C: Well, the fact is father, this is not my day for talking seriously. I am very sorry but it is not my day. [01:59:57] Speaker I: What do you mean, sir? [01:59:59] Speaker C: During the season, Father, I only talk seriously on the first Tuesday in every month from 4 to 7. [02:00:07] Speaker I: Well, make it Tuesday, sir. Make it Tuesday. [02:00:11] Speaker C: But it is after seven, father. And my doctor says I must not have any serious conversation after seven. It makes me talk in my sleep. [02:00:23] Speaker I: Talk in your sleep, sir? What does that matter? You are not married, Jack. [02:00:28] Speaker C: No, father, I am not married. [02:00:31] Speaker I: Hum. That is what I have come to talk to you about, sir. You have got to get married and at once. [02:00:39] Speaker C: Why? [02:00:39] Speaker I: When I was your age, sir, I had been an inconsolable widower for three months and was already paying my addresses to your admirable mother. Damn me, sir, it is your duty to get married. You can't always be living for pleasure. Every man of position is married nowadays. Bachelors are not fashionable any more. They are a damaged lot. Too much is known about them. You must get a wife, sir. Look where your friend Robert Chiltern has got by probity. Hard work and a sensible marriage with a good woman. Why don't you imitate him, sir? Why don't you take him for your model? [02:01:21] Speaker C: I think I shall, father. [02:01:25] Speaker I: I wish you would, sir. Then I should be happy at present. I make your mother's life miserable on your account. You are heartless, sir. Quite heartless. [02:01:36] Speaker C: I hope not, father. [02:01:38] Speaker I: And it is high time for you to get married. You are 34 years of age, sir? [02:01:44] Speaker C: Yes, Father, but I only admit to 32. 31 and a half when I have a really good buttonhole. This buttonhole is not trivial enough, I tell you. [02:01:59] Speaker I: You are 34, sir, and there is a draught in your room besides, which makes your conduct worse. Why did you tell me there was no draught, sir? I feel a draught, sir. I feel it distinctly. [02:02:12] Speaker C: So do I, Father. It is a dreadful draught. I will come and see you to morrow, Father. We can talk over anything you like. Let me help you on with your cloak, Father. [02:02:25] Speaker I: No, sir. I have called this evening for a definite purpose and I am going to see it through at all costs to my health or yours. Put down my cloak, sir. [02:02:35] Speaker C: Certainly, father. But let us go into another room. RINGS BELL There is a dreadful draught here. [02:02:43] Speaker A: Enter. Fips. [02:02:45] Speaker C: Phipps. Is there a good fire in the smoking room? [02:02:50] Speaker B: Yes, my lord. [02:02:52] Speaker C: Come in there, Father. Your sneezes are quite heartrending. [02:02:57] Speaker I: Well, sir, I suppose I have a. [02:02:59] Speaker A: Right to sneeze when I choose apologetically. [02:03:03] Speaker C: Quite so, Father. I was merely expressing sympathy. [02:03:09] Speaker I: Oh, damn sympathy. There's a great deal too much of that sort of thing going on nowadays. [02:03:14] Speaker C: I. I quite agree with you, Father. If there was less sympathy in the world, there would be less trouble in the world. [02:03:21] Speaker A: Goes towards the smoking room. [02:03:24] Speaker I: That is a paradox, sir. I hate paradoxes. [02:03:28] Speaker C: So do I, Father. Everybody one meets is a paradox nowadays. It is a great bore. It makes society so obvious. [02:03:37] Speaker A: Turning round and looking at his son beneath his bushy eyebrows. [02:03:41] Speaker I: Do you always really understand what you say, sir? [02:03:44] Speaker A: After some hesitation, yes, father. [02:03:48] Speaker C: If I listen attentively. [02:03:51] Speaker A: Indignantly. [02:03:52] Speaker I: If you listen attentively. Conceited young puppy. [02:03:57] Speaker A: Goes off grumbling into the smoking room. Fips enters. [02:04:01] Speaker C: Fips. There is a lady coming to see me this evening on particular business. Show her into the drawing room when she arrives. You understand? [02:04:10] Speaker B: Yes, my lord. [02:04:12] Speaker C: It is a matter of gravest importance. Phips. [02:04:16] Speaker B: I understand, my lord. [02:04:19] Speaker C: No one else is to be admitted under any circumstances. [02:04:24] Speaker B: I understand, my lord. [02:04:28] Speaker A: BELL RINGS Ah. [02:04:30] Speaker C: That is probably the lady. I shall see her myself. [02:04:35] Speaker A: Just as he is going towards the door, Lord Caversham enters from the smoking room. [02:04:38] Speaker I: Well, sir, am I to wait attendance on you? [02:04:42] Speaker A: Considerably perplexed in a moment, Father. [02:04:46] Speaker C: Do excuse me. [02:04:48] Speaker A: Lord Caversham goes back. [02:04:52] Speaker C: Remember my instruction, Phipps. Into that room. [02:04:57] Speaker B: Yes, my lord. [02:04:59] Speaker A: Lord Goring goes into the smoking room. Harold The Footman shows Mrs. Cheveley in Lamia like she is in green and silver. She has a cloak of black satin lined with dead rose Leaf silk. What name, madam? To Phips who advances towards her. [02:05:18] Speaker E: Is Lord Goring not here? I was told he was at home. [02:05:23] Speaker B: His lordship is engaged at present with Lord Caversham. Madam. [02:05:31] Speaker A: Turns a cold glassy eye on Harold who at once retires to herself. [02:05:36] Speaker E: How very filial. [02:05:38] Speaker B: His lordship told me to ask you, madam, to be kind enough to wait in the drawing room for him. His lordship will come to you there. [02:05:51] Speaker A: With a look of surprise. [02:05:52] Speaker E: Lord Goring expects me? [02:05:55] Speaker C: Yes, madam. [02:05:57] Speaker E: Are you quite sure? [02:06:00] Speaker B: His Lordship told me that if a lady called I was to ask her to wait in the drawing room. [02:06:09] Speaker A: Goes to the door of the drawing room and opens it. [02:06:12] Speaker B: His lordship's directions on the subject were. [02:06:16] Speaker A: Very precise to herself. [02:06:21] Speaker E: How thoughtful of him to expect the unexpected. Shows a thoroughly modern intellect. [02:06:27] Speaker A: Goes towards the drawing room and looks in. [02:06:30] Speaker E: Ugh. How dreary a bachelor's drawing room always looks. I shall have to alter all this. [02:06:37] Speaker A: Phipps brings the lamp from the writing table. [02:06:40] Speaker E: No, I don't care for that lamp. It is far too glaring. Light some candles. [02:06:47] Speaker A: Replaces lamp. [02:06:48] Speaker B: Certainly, madam. [02:06:50] Speaker E: I hope the candles have very becoming shades. [02:06:55] Speaker B: We have had no complaints about them. Madame as yet. [02:07:01] Speaker A: Passes into the drawing room and begins to light the candles to herself. [02:07:06] Speaker E: I wonder what woman he is waiting for to night. It will be delightful to catch him. Men always look so silly when they are caught. And they are always being caught. [02:07:18] Speaker A: Looks about the room and approaches the writing table. [02:07:21] Speaker E: What a very interesting room. What a very interesting picture. Wonder what his correspondence is like. [02:07:31] Speaker A: Takes up letters. [02:07:33] Speaker E: Oh, what a very uninteresting correspondence. Bills and cards, debts and dowagers. Who on earth writes to him on pink paper? How silly to write on pink paper. It looks like the beginning of a middle class romance. Romance should never begin with sentiment. It should begin with science and end with a settlement. [02:07:57] Speaker A: Puts letter down, then takes it up again. [02:08:00] Speaker E: I know that handwriting. That is Gertrude Chiltern's. I remember it perfectly. The Ten Commandments in every stroke of the pen. And the moral law all over the page. Wonder what Gertrude is writing to him about? Something horrid about me, I suppose. How I detest that woman. [02:08:24] Speaker A: Reads it. [02:08:25] Speaker E: I trust you. I want you. I am coming to you. Gertrude. I trust you. I want you. I am coming to you. [02:08:35] Speaker A: A look of triumph comes over her face. She is just about to steal the letter when Fips comes in. [02:08:41] Speaker B: The candles in the drawing room are lit, Madame, as you directed. [02:08:48] Speaker E: Thank you. [02:08:50] Speaker A: Rises hastily and slips the letter under a large silver cased blotting book that is lying on the Table. [02:08:56] Speaker B: I trust the shades will be to your liking, Madame. They are the most becoming we have. They are the same as his Lordship uses himself when he is dressing for. [02:09:10] Speaker A: Dinner with a smile. [02:09:13] Speaker E: Then I am sure they will be perfectly right. [02:09:16] Speaker A: Gravely. [02:09:17] Speaker B: Thank you, madame. [02:09:21] Speaker A: Mrs. Mrs. Cheveley goes into the drawing room. Phipps closes the door and retires. The door is then slowly opened and Mrs. Cheveley comes out and creeps stealthily towards the writing table. Suddenly voices are heard from the smoking room and Mrs. Cheveley grows pale. She stops. The voices grow louder and she goes back into the drawing room, biting her lip. Enter Lord Goring and Lord Caversham Expostulating. [02:09:47] Speaker C: My dear father, if I am to get married, surely you will allow me to choose the time, place and person. Particularly the person. [02:09:58] Speaker I: That is a matter for me. Sir, you would probably make a very poor choice. It is I who should be consulted, not you. There is property at stake. It is not a matter for affection. Affection comes later on in married life. [02:10:14] Speaker C: Yes, in married life affection comes when people thoroughly dislike each other. [02:10:18] Speaker A: Father doesn't it puts on Lord Caversham's cloak for him. [02:10:24] Speaker I: Certainly, sir. I mean certainly not sir. You are talking very foolishly to night. What I say is that marriage is a matter for common sense. [02:10:34] Speaker C: But women who have common sense are so curiously plain, father, aren't they? Of course, I only speak from hearsay. [02:10:42] Speaker I: No woman, plain or pretty has any common sense at all, Sir. Common sense is the privilege of our sex. [02:10:50] Speaker C: Quite so. And we men are so self sacrificing that we never use it, do we father? [02:10:57] Speaker I: I use it, sir. I use nothing else. [02:11:01] Speaker C: So my mother tells me. [02:11:04] Speaker I: It is the secret of your mother's happiness. You are very heartless, sir. Very heartless. [02:11:11] Speaker C: I hope not. [02:11:13] Speaker A: Father goes out for a moment, then returns looking rather put out with Sir Robert Chiltern. [02:11:20] Speaker B: My dear Arthur. What a piece of good luck meeting you on the doorstep. Your servant had just told me you were not at home. How extraordinary. [02:11:29] Speaker C: The fact is I am horribly busy to night. Robert and I gave orders I was not at home to any one. Even my father had a comparatively cold reception. He complained of a draught the whole time. [02:11:41] Speaker B: Ah, you must be at home to me, Arthur. You are my best friend. Perhaps by to morrow you will be my only friend. My wife has discovered everything. [02:11:53] Speaker A: Ah, I guessed as much looking at him. [02:11:59] Speaker B: Really? How? [02:12:01] Speaker A: After some hesitation. [02:12:03] Speaker C: Oh, merely by something in the expression of your face as you came in. Who told her? [02:12:10] Speaker B: Mrs. Cheveley herself. And the woman I love knows that I began my Career with an act of low dishonesty, that I built up my life upon sands of shame, that I sold like a common huckster the secret that had been entrusted to me as a man of honour. I thank heaven poor Lord Radley died without knowing that I betrayed him. I would to God I had died before I had been so horribly tempted, or had fallen so low, burying his. [02:12:42] Speaker A: Face in his hands. After a pause. [02:12:46] Speaker C: You have heard nothing from Vienna yet in answer to your wire looking up? [02:12:52] Speaker B: Yes. I got a telegram from the first secretary at 8 o' clock to night. Well, nothing is absolutely known against her. On the contrary, she occupies a rather high position in society. It is a sort of open secret that Baron Arnheim left her the greater portion of his immense fortune. Beyond that, I can learn nothing. [02:13:15] Speaker C: She doesn't turn out to be a spy, then? [02:13:19] Speaker B: Oh, spies are of no use nowadays. Their profession is over. The newspapers do their work instead. [02:13:26] Speaker C: And thunderingly well they do it. [02:13:29] Speaker B: Arthur, I'm parched with thirst. May I ring for something? Some hock and seltzer? [02:13:35] Speaker C: Certainly. Let me. [02:13:37] Speaker A: Rings THE BELL Thanks. [02:13:41] Speaker B: I don't know what to do, Arthur. I don't know what to do. And you are my only friend. But what a friend. You are the one friend I can trust. I can trust you absolutely, can't I? [02:13:56] Speaker A: Enter Fips, my dear Robert, of course. [02:14:00] Speaker C: Oh. To fips, bring some hock and seltzer. [02:14:06] Speaker B: Yes, my lord. [02:14:07] Speaker C: And fips. [02:14:10] Speaker B: Yes, my lord. [02:14:11] Speaker C: Will you excuse me for a moment, Robert? I want to give some directions to my servant. [02:14:17] Speaker B: Certainly. [02:14:19] Speaker C: When that lady calls, tell her that I am not expected home this evening. Tell her that I have been suddenly called out of town. You understand? [02:14:31] Speaker B: The lady is in that room, my lord. You told me to show her her into that room, my lord. [02:14:39] Speaker C: You did perfectly right. [02:14:44] Speaker A: Exit fibs. [02:14:47] Speaker C: What a mess I am in. No, I think I shall get through it. I'll give her a lecture through the door. Awkward thing to manage, though. [02:14:55] Speaker B: Arthur, tell me what I should do. My life seems to have crumbled about me. I am a ship without a rudder in a night without a star. [02:15:06] Speaker C: Robert, you love your wife, don't you? [02:15:09] Speaker B: I love her more than anything in the world. I used to think ambition the great thing. It is not. Love is the great thing in the world. There is nothing but love. And I love her. But I am defamed in her eyes. I am ignoble in her eyes. There is a wide gulf between us now. She has found me out, Arthur. She has found me out. [02:15:36] Speaker C: Has she never in her life done some folly, some indiscretion that she should not forgive. Your sin. [02:15:44] Speaker B: My wife? Never. She does not know what weakness or temptation is. I am of clay like other men. She stands apart, as good as women do. Pitiless in her perfection, cold and stern and without mercy. But I love her, Arthur. We are childless and I have no one else to love. No one else to love me. Perhaps if God had sent us children, she might have been kinder to me. But God has given us a lonely house and she has cut my heart in two. Don't let us talk of it. I was brutal to her this evening. But I suppose when sinners talk to saints, they are brutal. Always I said to her things that were hideously true on my side. From my standpoint. From the standpoint of men. But don't let's talk of that. [02:16:38] Speaker C: Your wife will forgive you. Perhaps at this moment she is forgiving you. She loves you, Robert. Why should she not forgive? [02:16:48] Speaker B: God grant it. God grant it. [02:16:52] Speaker A: Buries his face in his hands. [02:16:54] Speaker B: But there is something more I have to tell you, Arthur. [02:16:57] Speaker A: Enter. Phips with drinks. Hands Hock and seltzer to Sir Robert Chiltern. [02:17:03] Speaker B: Hock and seltzer, sir. Thank you. [02:17:09] Speaker C: Is your carriage here, Robert? [02:17:12] Speaker B: No, I've walked from the club. [02:17:14] Speaker C: Sir Robert will take my cab. Fips. [02:17:17] Speaker B: Yes, my lord. [02:17:20] Speaker A: Exit Robert. [02:17:22] Speaker C: You don't mind my sending you away? [02:17:25] Speaker B: Arthur, you must let me stay for five minutes. I have made up my mind what I am going to do to night in the house. The debate on the Argentine Canal is to begin. At 11. [02:17:36] Speaker A: A chair falls in the drawing room. [02:17:39] Speaker B: What is that? [02:17:40] Speaker C: Nothing. [02:17:42] Speaker B: I heard a chair fall in the next room. Someone's been listening. [02:17:46] Speaker C: No, no. There is no one there. [02:17:49] Speaker B: There is someone. There are some lights in the room. The door is ajar. Someone has been listening to every secret of my life. Arthur, what does this mean? [02:18:00] Speaker C: Robert, you are excited. Unnerved. I tell you there is no one in that room. Sit down, Robert. [02:18:07] Speaker B: Do you give me your word of honour? There is no one there? [02:18:11] Speaker C: Yes. [02:18:13] Speaker B: Your word of honour. [02:18:16] Speaker A: Sits down. [02:18:17] Speaker C: Yes. [02:18:18] Speaker A: Rises. [02:18:20] Speaker B: Arthur, let me see for myself. [02:18:22] Speaker C: No, no. [02:18:23] Speaker B: If there is no one there, why should I not look in that room? Arthur, you must let me go into that room and satisfy myself. Let me know that no eavesdropper has heard my life's secret. Arthur, you don't realize what I'm going through. [02:18:38] Speaker C: Robert, this must stop. I have told you there is no one in that room. That is enough. [02:18:44] Speaker A: Rushes to the door of the room. [02:18:47] Speaker B: It is not Enough. I insist on going into this room. You have told me there is no one there. So what reason can you have for refusing me? [02:18:55] Speaker C: For God's sake, don't. There is someone there. Someone whom you must not see. [02:19:01] Speaker B: Ah, I thought so. [02:19:04] Speaker C: I forbid you to enter that room. [02:19:07] Speaker B: Stand back. My life is at stake and I don't care who is there. I will know who it is to whom I have told my secret and my shame. [02:19:18] Speaker A: Enters room Great heavens. His own wife, Sir Robert Chiltern comes back with a look of scorn and anger on his face. [02:19:27] Speaker B: What explanation have you to give for the presence of that woman here? [02:19:33] Speaker C: Robert, I swear to you on my honour that the lady is stainless and guiltless of all offence towards you. [02:19:40] Speaker B: She is a vile and infamous thing. [02:19:44] Speaker C: Don't say that, Robert. It was for your sake she came here. It was to try and save you she came here. She loves you and no one else. [02:19:54] Speaker B: You are mad. What have I to do with her intrigues with you? Let her remain your mistress. You are well suited to each other. She corrupt and shameful you. False as a friend, treacherous as an enemy, even. [02:20:09] Speaker C: It is not true, Robert. Before heaven, it is not true. In her presence and in yours, I will explain all. [02:20:17] Speaker B: Let me pass, sir. You have lied enough. Upon your word of honour. [02:20:23] Speaker A: Sir Robert Chiltern goes out. Lord Goring rushes to the door of the drawing room when Mrs. Cheveley comes out looking radiant and much amused, with a mock curtsey. [02:20:34] Speaker E: Good Evening, Lord Goring. [02:20:37] Speaker C: Mrs. Cheveley. Great heavens. May I ask what you were doing in my drawing room? [02:20:46] Speaker E: Merely listening. I have a perfect passion for listening through keyholes. One always hears such wonderful things through them. [02:20:56] Speaker C: Doesn't that sound rather like tempting providence? [02:21:00] Speaker E: Oh, surely providence can resist temptation by this time. [02:21:05] Speaker A: Makes a sign to him to take her cloak off, which he does. [02:21:09] Speaker C: I am glad you have called. I am going to give you some good advice. [02:21:14] Speaker E: Oh, pray don't. One should never give a woman anything that she can't wear in the evening. [02:21:20] Speaker C: I see you are quite as wilful as you used to be. [02:21:24] Speaker E: Far more. I have greatly improved. I have had more experience. [02:21:31] Speaker C: Too much experience is a dangerous thing. Pray have a cigarette. Half the pretty women in London smoke cigarettes. Personally, I prefer the other half. [02:21:42] Speaker E: Thanks. I never smoke. My dressmaker wouldn't like it. And a woman's first duty in life is to her dressmaker, Isn't it? What the second duty is? No one has as yet discovered. [02:21:55] Speaker C: You have come here to sell me Robert Chiltern's letter, haven't you to offer. [02:22:02] Speaker E: It to you on conditions. How did you guess that? [02:22:07] Speaker C: Because you haven't mentioned the subject. [02:22:09] Speaker A: Have you got it with you sitting down? [02:22:13] Speaker E: Oh, no. A well made dress has no pockets. [02:22:18] Speaker C: What is your price for it? [02:22:21] Speaker E: How absurdly English you are. The English think that a cheque book can solve every problem in life. Why, my dear Arthur, I have very much more money than you have. And quite as much as Robert Chiltern has got hold of. Money is not what I want. [02:22:39] Speaker C: What do you want then, Mrs. Chevely? Laura. [02:22:43] Speaker E: Why don't you call me Laura? [02:22:46] Speaker C: I don't like the name. [02:22:48] Speaker E: You used to adore it. [02:22:51] Speaker A: Yes, that's why Mrs. Cheveley motions to him to sit down beside her. He smiles and does so. [02:22:59] Speaker E: Arthur, you loved me once. [02:23:02] Speaker C: Yes. [02:23:04] Speaker E: And you asked me to be your wife. [02:23:07] Speaker C: That was the natural result of my loving you. [02:23:12] Speaker E: And you threw me over because you saw, or said you saw poor, poor old Lord Mortlake trying to have a violent flirtation with me in the conservatory at Tenby. [02:23:23] Speaker C: I am under the impression that my lawyer settled that matter with you on certain terms dictated by yourself. [02:23:32] Speaker E: At that time. I was poor. You were rich. [02:23:36] Speaker C: Quite so. That is why you pretended to love me. [02:23:41] Speaker A: Shrugging her shoulders. [02:23:43] Speaker E: Poor old Lord Mortlake, who had only two topics of conversation, his gout and his wife. I never could quite make out which of the two he was talking about. He used the most horrible language about them both. Well, you were silly, Arthur. Why, Lord Mortlake was never anything more to me than an amusement. One of those utterly tedious amusements. One one only finds at an English country house on an English country Sunday. I don't think any one at all morally responsible for what he or she does at an English country house. [02:24:21] Speaker C: Yes, I know lots of people think. [02:24:23] Speaker E: That I loved you, Arthur. [02:24:27] Speaker C: My dear Mrs. Cheveley, you have always been far too clever to know anything about love. [02:24:35] Speaker E: I did love you. And you loved me. You know you loved me. And love is a very wonderful thing. I suppose that when a man has once loved a woman, he will do anything for her except continue to love her. [02:24:52] Speaker A: Puts her hand on his, taking his hand away quietly. Yes, except that after a pause. [02:25:02] Speaker E: I am tired of living abroad. I want to come back to London. I want to have a charming house here. I want to have a salon. If one could only teach the English how to talk and the Irish how to listen, society here would be quite civilized. Besides, I have arrived at the romantic stage. When I saw you last night at the Chilterns, I knew you were the only person I had ever cared for. If I ever have cared for anybody, Arthur. And so on the morning of the day you marry me, I will give you Robert Chiltern's letter. That is my offer. I will give it to you now if you promise to marry me now. [02:25:46] Speaker A: Smiling Tomorrow. [02:25:49] Speaker C: Are you really serious? [02:25:52] Speaker E: Yes, quite serious. [02:25:55] Speaker C: I should make you a very bad husband. [02:25:58] Speaker E: I don't mind bad husbands. I have had two. They amuse me immensely. [02:26:05] Speaker C: You mean that you amused yourself immensely, don't you? [02:26:09] Speaker E: What do you know about my married life? [02:26:12] Speaker C: Nothing. But I can read it like a book. [02:26:16] Speaker E: What book? [02:26:18] Speaker A: Rising. [02:26:19] Speaker C: The Book of Numbers. [02:26:21] Speaker E: Do you think it is quite charming of you to be so rude to a woman in your own house? [02:26:27] Speaker C: In the case of a very fascinating woman, sex is a challenge, not a defence. [02:26:34] Speaker E: I suppose that is meant for a compliment. My dear Arthur, women are never disarmed by compliments. Men always are. That is the difference between the two sexes. [02:26:45] Speaker C: Women are never disarmed by anything as far as I know them. [02:26:50] Speaker A: After a pause. [02:26:52] Speaker E: Then you are going to allow your greatest friend Robert Chiltern to be ruined rather than marry some one who really has considerable attractions left? I thought you would have risen to some great height of self sacrifice, Arthur. I think you should. And the rest of your life you could spend in contemplating your own perfections. [02:27:14] Speaker C: Oh, I do that as it is. And self sacrifice is a thing that should be put down by law. It is so demoralizing to the people. For one who sacrifices oneself, they always go to the bad. [02:27:29] Speaker E: As if anything could demoralize Robert's Chiltern. You seem to forget that I know his real character. [02:27:36] Speaker C: What you know about him is not his real character. It was an act of folly done in his youth. Dishonorable, I admit. Shameful, I admit. Unworthy of him, I admit. And therefore not his true character. [02:27:51] Speaker E: How you men stand up for each other. [02:27:54] Speaker C: How you women war against each other. [02:27:58] Speaker A: Bitterly. [02:28:00] Speaker E: I only war against one woman. Against Gertrude Chiltern. I hate her. I hate her now more than ever. [02:28:10] Speaker C: Because you have brought a real tragedy into her life. [02:28:13] Speaker A: I suppose with a sneer. [02:28:16] Speaker E: Oh, there is only one real tragedy in a woman's life. The fact that her past is always her lover and her future invariably her husband. [02:28:26] Speaker C: Lady Chiltern knows nothing of the kind of life to which you are alluding. [02:28:31] Speaker E: A woman whose size in gloves is seven and three quarters never knows much about anything. You know Gertrude has always worn a seven and three quarters. That is one of the reasons why there was never any moral sympathy between Us. Well, Arthur, I suppose this romantic English interview may be regarded as at an end. You admit it was romantic, don't you? For the privilege of being your wife, I was ready to surrender a great prize. The climax of my diplomatic career. You decline. Very well. If Sir Robert doesn't uphold my Argentine scheme, I expose him. Voitout. [02:29:17] Speaker C: You mustn't do that. It would be vile, horrible, infamous. [02:29:25] Speaker E: Oh, don't use big words. They mean so little. It is a commercial transaction, that is all. There is no good mixing up sentimentality in it. I offered to sell Robert Chiltern a certain thing. If he won't pay me my price, he will have to pay the world a greater price. There is no more to be said. I must go. Good bye. Won't you shake hands? [02:29:52] Speaker C: With you? No. Your transaction with Robert Chiltern may pass as a loathsome commercial transaction of a loathsome commercial age. But you seem to have forgotten that you came here to night to talk of love. You, whose lips desecrated the word love, you, to whom the thing is a book closely sealed, went this afternoon to the house of one of the most noble and gentlewomen in the world. To degrade her husband in her eyes, to try and kill her love for him. To put poison in her heart and bitterness in her life. To break her idol and it may be spoil her soul that I cannot forgive you. That was horrible. For that there can be no forgiveness. [02:30:42] Speaker E: Arthur. You are unjust to me. Believe me, you are quite unjust to me. I didn't go to taunt Gertrude at all. I had no idea of doing anything of the kind when I entered. I called with Lady Markaby simply to ask whether an ornament, a jewel that I lost somewhere last night had been found at the Chilterns. If you don't believe me, you can ask Lady Markby. She will tell you. It is true. The scene that occurred happened after Lady Markby had left and was really forced on me by Gertrude's rudeness and sneers. I called. Oh, a little out of malice if you like. But really to ask if a diamond brooch of mine had been found. That was the origin of the whole thing. [02:31:33] Speaker C: A diamond snake brooch with a ruby? [02:31:37] Speaker E: Yes. How do you know? [02:31:40] Speaker C: Because it is found. In point of fact I found it myself and stupidly forgot to tell the butler anything about it. [02:31:48] Speaker A: As I was leaving, goes over to the writing table and pulls out the drawer. [02:31:54] Speaker C: It is in this drawer, not that one. This is the brooch, isn't it? [02:32:02] Speaker A: Holds up the Brooch? [02:32:04] Speaker E: Yes. I am so glad to get it back. It was a present. [02:32:10] Speaker C: Won't you wear it? [02:32:12] Speaker E: Certainly. If you pin it in. [02:32:15] Speaker A: Lord Goring suddenly clasps it on her arm. [02:32:19] Speaker E: Why do you put it on as a bracelet? I never knew it could be worn as a bracelet, really. [02:32:26] Speaker A: Holding out her handsome arm. [02:32:30] Speaker E: No, but it looks very well on me as a bracelet, doesn't it? [02:32:34] Speaker C: Yes, Much better than when I saw it last. [02:32:38] Speaker E: When did you see it last? [02:32:40] Speaker A: Calmly. [02:32:42] Speaker C: Oh, ten years ago, on Lady Berkshire, from whom you stole it. [02:32:51] Speaker E: What do you mean? [02:32:53] Speaker C: I mean that you stole that ornament from my cousin Mary Berkshire, to whom I gave it when she was married. Suspicion fell on a wretched servant who was sent away in disgrace. I recognized it last night. I determined to say nothing about it till I had found the thief. I have found the thief now, and I have heard her own confession. [02:33:18] Speaker A: Tossing her head. [02:33:20] Speaker E: It is not true. [02:33:22] Speaker C: You know it is true. Why, the thief is written across your face at this very moment. [02:33:28] Speaker E: I will deny the whole affair from beginning to end. I will say that I have never seen this wretched thing, that it was never in my possession. [02:33:37] Speaker A: Mrs. Chevely tries to get the bracelet off her arm, but fails. Lord Goring looks on amused. Her thin fingers tear at the jewel to no purpose. A curse breaks from her. [02:33:48] Speaker C: The drawback of stealing A thing, Mrs. Cheveley, is that one never knows how wonderful the thing that one steals is. You can't get that bracelet off unless you know where the spring is. And I see you don't know where the spring is. It is rather difficult to find. [02:34:08] Speaker E: You brute. You coward. [02:34:11] Speaker A: She tries again to unclasp the bracelet, but fails. [02:34:14] Speaker C: Oh, don't use big words. They mean so little. [02:34:21] Speaker A: Again tears at the bracelet in a paroxysm of rage with inarticulate sounds. Then stops and looks at Lord Goring. [02:34:30] Speaker E: What are you going to do? [02:34:32] Speaker C: I'm going to ring for my servant. He is an admirable servant. Always comes in the moment one rings for him. When he comes, I will tell him to fetch the police. [02:34:46] Speaker A: Trembling the police? [02:34:48] Speaker E: What for? [02:34:50] Speaker C: Tomorrow the Berkshires will prosecute you. That is what the police are for. [02:34:56] Speaker A: Is now in an agony of physical terror. Her face is distorted, her mouth awry. Her mask has fallen from her. She is, for the moment, dreadful to look at. [02:35:08] Speaker E: Don't do that. I will do anything you want. Anything in the world you want. [02:35:15] Speaker C: Give me Robert Chiltern's letter. [02:35:18] Speaker E: Stop. Stop. Let. Let me have time to think. [02:35:23] Speaker C: Give me Robert Chiltern's letter. [02:35:26] Speaker E: I have not got it with me. I will give it to you to morrow. [02:35:31] Speaker C: You know you are lying. Give it to me at once. [02:35:34] Speaker A: Mrs. Cheveley pulls the letter out and hands it to him. She is horribly pale. [02:35:39] Speaker C: This is it. [02:35:41] Speaker A: In a hoarse voice yes. Takes the letter, examines it, sighs and burns it with the lamp. [02:35:50] Speaker C: For so well dressed a woman, Mrs. Cheveley, you have moments of admirable common sense. I congratulate you. [02:35:59] Speaker A: Catches sight of Lady Chiltern's letter, the COVID of which is just showing from under the blotting book. [02:36:05] Speaker E: Please get me a glass of water. [02:36:08] Speaker C: Certainly. [02:36:10] Speaker A: Goes to the corner of the room and pours out a glass of water. While his back is turned, Mrs. Cheveley steals Lady Chiltern's letter. When Lord Goring returns with the glass, she refuses it with a gesture. [02:36:22] Speaker E: Thank you. Will you help me on with my cloak? [02:36:27] Speaker C: With pleasure. [02:36:29] Speaker A: Puts her cloak on. [02:36:31] Speaker E: Thanks. I am never going to try to harm Robert Chiltern again. [02:36:36] Speaker C: Fortunately you have not the chance, Mrs. Cheveley. [02:36:41] Speaker E: Well, if even I had the chance, I wouldn't. On the contrary, I am going to render him a great service. [02:36:49] Speaker C: I am charmed to hear. Is a reformation. [02:36:54] Speaker E: Yes. I can't bear so upright a gentleman so honourable an English gentleman being so shamefully deceived and so. Well, I find that some somehow Gertrude Chiltern's dying speech and confession has strayed into my pocket. [02:37:11] Speaker C: What do you mean? [02:37:13] Speaker A: With a bitter note of triumph in her voice. [02:37:16] Speaker E: I mean that I am going to send Robert Chiltern the love letter his wife wrote to you last night. [02:37:22] Speaker C: Love letter? [02:37:26] Speaker E: I want you. I trust you. I am coming to you, Gertrude. [02:37:31] Speaker A: Lord Goring rushes to the bureau and takes up the envelope. Finds it is empty and turns round. [02:37:37] Speaker C: You wretched woman. Must you always be thieving? Give me back that letter. I'll take it from you by force. You shall not leave my room till I have got it. [02:37:47] Speaker A: He rushes towards her, but Mrs. Cheveley at once puts her hand on the electric bell that is on the table. The bell sounds with shrill reverberations and Fips enters after a pause. [02:37:59] Speaker E: Lord Goring merely rang that you should show me out. Good night. [02:38:04] Speaker A: Lord Goring goes out, followed by Fips. Her face is illuminated with evil triumph. There is joy in her eyes. Youth seems to have come back to her. Her last glance is like a swift arrow. Lord Goring bites his lip and lights his cigarette. End of Act 3 fourth act scene same as Act 2 Lord Goring is standing by the fireplace with his hands in his pockets. He is looking rather bored. Pulls out his watch, inspects it and rings the bell. [02:38:52] Speaker C: It is a great nuisance. I can't find anyone in this house to talk to and I am full of interesting information. I feel like the latest edition of something or other. [02:39:11] Speaker A: Enter Servant Sir Robert is still at. [02:39:14] Speaker I: The Foreign Office, my lord. [02:39:16] Speaker C: Lady Chiltern not down yet? [02:39:18] Speaker I: Her ladyship has not yet left her room. [02:39:21] Speaker A: Miss Chiltern has just come in from riding to himself. [02:39:25] Speaker C: Ah, that is something. [02:39:28] Speaker I: Lord Caversham has been waiting some time in the library for Sir Robert. I told him your lordship was here. [02:39:35] Speaker C: Thank you. Would you kindly tell him I've gone? [02:39:40] Speaker I: I shall do so, my lord. [02:39:42] Speaker A: Exit servant Really, I don't want to. [02:39:44] Speaker C: Meet my father three days running. It is a great deal too much excitement for any son. I hope to goodness he won't come up. Fathers should neither be seen nor heard. That is the only proper basin for family life. Mothers are different. Mothers are darlings. [02:40:01] Speaker A: Throws himself down into a chair. Picks up her paper and begins to read it. Enter Lord Caversham. [02:40:08] Speaker D: Well, sir, what are you doing here? Wasting your time as usual, I suppose. [02:40:14] Speaker A: Throws down paper and rises. [02:40:17] Speaker C: My dear father, when one pays a visit it is for the purpose of wasting other people's time, not one's own. [02:40:26] Speaker D: Have you been thinking over what I spoke to you about last night? [02:40:30] Speaker C: I have been thinking of nothing else. [02:40:33] Speaker D: Engaged to be married yet? [02:40:36] Speaker A: Genially? [02:40:37] Speaker C: Not yet, but I hope to be before lunch time. [02:40:42] Speaker A: Caustically. [02:40:44] Speaker D: You can have till dinner time if it would be of any convenience to you. [02:40:49] Speaker C: Thanks awfully, but I think I'd sooner be engaged before lunch. [02:40:54] Speaker E: Humph. [02:40:55] Speaker D: Never know when you are serious or not. [02:40:59] Speaker C: Neither do I, father. [02:41:01] Speaker A: A pause. [02:41:02] Speaker D: I suppose you have read the Times this morning, airily? [02:41:07] Speaker C: The Times? Certainly not. I only read the Morning Post. All that one should know about modern life is where the duchesses are. Anything else is quite demoralizing. [02:41:21] Speaker D: Do you mean to say you have not read the Times leading article on Robert Chiltern's career? [02:41:27] Speaker C: Good heavens, no. What does it say? [02:41:31] Speaker D: What should it say, sir? Everything complimentary, of course. Chiltern's speech last night on this Argentine canal scheme was one of the finest pieces of oratory ever delivered in the house since Canning. [02:41:43] Speaker C: Ah, never heard of Canning. Never wanted to. And did? Did Chiltern uphold the scheme? [02:41:53] Speaker D: Uphold it, sir? How little you know him. Why he denounced it roundly and the whole system of modern political finance. This speech is the turning point in his career, as the Times points out. You should Read this article, sir. [02:42:06] Speaker A: Opens the Times. [02:42:08] Speaker D: Sir Robert Chiltern. Most rising of our young statesman. Brilliant orator. Unblemished career. Well known. Integrity of character. Represents what is best in English public life. Noble contrast to the lax morality among foreign politicians. They will never say that of you, sir. [02:42:27] Speaker C: I sincerely hope not, father. However, I am delighted at what you tell me about Robert. Thoroughly delighted. It shows he has got pluck. [02:42:36] Speaker D: He has got more than pluck, sir. He has got genius. [02:42:40] Speaker C: Ah. I prefer pluck. It is not so common nowadays as geniuses. [02:42:46] Speaker D: I wish you would go into Parliament. [02:42:50] Speaker C: My dear father. Only people who look dull ever get into the House of Commons. And only people who are dull ever succeed there. [02:42:58] Speaker D: Why don't you try to do something useful in life? [02:43:02] Speaker C: I am far too young. [02:43:04] Speaker A: Testily. [02:43:06] Speaker D: I hate this affectation of you, sir. It is a great deal too prevalent nowadays. [02:43:12] Speaker C: Youth isn't an affectation. Youth is an art. [02:43:16] Speaker D: Why don't you propose to that pretty Ms. Chiltern? [02:43:20] Speaker C: I am of a very nervous disposition, especially in the morning. [02:43:25] Speaker D: I don't suppose there's the smallest chance of her accepting you. [02:43:29] Speaker C: I don't know how the betting stands today. [02:43:32] Speaker D: If she did accept you, she would be the prettiest fool in England. [02:43:37] Speaker C: That is just what I should like to marry. A thoroughly sensible wife would reduce me to a condition of absolute idiocy. In less than six months. [02:43:46] Speaker D: You don't deserve her, sir. [02:43:48] Speaker C: My dear father, if we men married the women we deserved, we should have a very bad time of it. [02:43:56] Speaker A: Enter. Mabel Chiltern. [02:43:58] Speaker H: Oh, how do you do, Lord Caversham? I hope Lady Caversham is quite well. [02:44:03] Speaker D: Lady Caversham is as usual. As usual. [02:44:07] Speaker C: Good morning, Miss Mabel. [02:44:10] Speaker A: Taking no notice at all of Lord Goring. And addressing herself exclusively to Lord Caversham. [02:44:15] Speaker H: And Lady Caversham's bonnets, are they at all better? [02:44:19] Speaker D: They have had a serious relapse, I am sorry to say. [02:44:23] Speaker C: Good morning, Ms. Mabel. [02:44:26] Speaker A: To Lord Caversham. [02:44:28] Speaker H: I hope an operation will not be necessary. [02:44:31] Speaker A: Smiling at her pertness. [02:44:33] Speaker D: If it is, we shall have to give Lady Caversham a narcotic. Otherwise she will never consent to have. [02:44:39] Speaker A: A single feather touched with increased emphasis. [02:44:44] Speaker C: Good morning, Miss Mabel. [02:44:49] Speaker A: Turning round with feigned surprise. [02:44:51] Speaker H: Oh, are you here? Of course you understand that after breaking your appointment, I am never going to speak speak to you again. [02:44:58] Speaker C: Oh, please don't say such a thing. You are the one person in London I really like to have to listen. [02:45:05] Speaker H: To me, Lord Goring. I never believe a single word that either you or I say to each other, Lady. [02:45:12] Speaker D: You are quite right, my dear. Quite right. As far as he is concerned, I mean. [02:45:17] Speaker H: Cecilia, do you think you could possibly make your son behave a little better? Occasionally, just as a change? [02:45:23] Speaker D: I regret to say, Ms. Chiltern, I have no influence over my son. I wish I had. If I had, I know what I would make him do. [02:45:31] Speaker H: I am afraid that he has one of those terribly weak natures that are not susceptible to influence. [02:45:37] Speaker D: He is very heartless. Very heartless. [02:45:41] Speaker C: It seems to me that I am a little in the way here. [02:45:46] Speaker H: It is very good for you to be in the way and to know what people say of you behind your back. [02:45:51] Speaker C: I don't at all like knowing what people say of me behind my back. It makes me far too conceited. [02:45:59] Speaker D: After that, my dear, I really must bid you good morning. [02:46:02] Speaker H: Oh, I hope you are not going to leave me all alone with Lord Goring. Especially at such an early hour in the day. [02:46:10] Speaker D: I am afraid I can't take him to Downing Street. It is not the Prime Minister's day for seeing the unemployed. [02:46:17] Speaker A: Shakes hands with Mabel Chiltern, takes up his hat and stick and goes out with a parting glare of indignation at Lord Goring. Takes up roses and begins to arrange them in a bowl on the table. [02:46:30] Speaker H: People who don't keep their appointments in the park are horrid, detestable. I am glad you admit it, but I wish you wouldn't look so pleased about it. [02:46:42] Speaker C: I can't help it. I always look pleased when I am with you, Jack. [02:46:46] Speaker A: Sadly. [02:46:47] Speaker C: Jack. [02:46:47] Speaker H: Then I suppose it is my duty to remain with you. [02:46:51] Speaker C: Of course it is. [02:46:53] Speaker H: Well, my duty is a thing I never do on principle. It always depresses me so. I am afraid I must leave you. [02:47:00] Speaker C: Please don't, Ms. Mabel. I have something very particular to say to you. [02:47:09] Speaker B: Oh. [02:47:10] Speaker H: Is it a proposal? [02:47:12] Speaker A: Somewhat taken aback. [02:47:14] Speaker C: Well, yes, it is. I. I am bound to say it. [02:47:20] Speaker A: Is with a sigh of pleasure. [02:47:23] Speaker F: Ah. [02:47:24] Speaker H: I am so glad. That makes the second to day indignantly. [02:47:29] Speaker C: The second to day. What conceited ass has been impertinent enough to dare to propose to you before I had proposed to you? [02:47:39] Speaker H: Tommy Trafford, of course. It is one of Tommy's days for proposing. He always proposes on Tuesdays and Thursdays during the season. [02:47:48] Speaker C: You didn't accept him, I hope? [02:47:50] Speaker H: I make it a rule never to accept Tommy. That is why he goes on proposing. Of course. As you didn't turn up this morning, I very nearly said yes. It would have been an excellent lesson both for him. And for you, If I had, it would have taught you both better manners. [02:48:07] Speaker C: Oh, bother Tommy Treyford. Tommy is a silly little ass. I love you. [02:48:14] Speaker H: I know. And I think you might have mentioned it before. I am sure I have given you heaps of opportunities. [02:48:21] Speaker C: Mabel, do be serious. Please be serious. [02:48:25] Speaker H: Ah, that is the sort of thing a man always says to a girl before he has been married to her. [02:48:31] Speaker A: He never says it afterwards, taking hold of her hand. [02:48:35] Speaker C: Mabel, I have told you that I love you. Can't you love me a little in return? [02:48:42] Speaker H: You silly Arthur. If you knew anything about anything which you don't, you would know that I adore you. Everyone in London knows it except. Except you. It is a public scandal the way I adore you. I have been going about for the last six months telling the whole of society that I adore you. I wonder you consent to have any thing to say to me. I have no character left at all. At least I feel so happy that I am quite sure I have no character left at all. [02:49:13] Speaker A: Catches her in his arms and kisses her. Then there is a pause of bliss. [02:49:19] Speaker C: Dear. Do you know I was awfully afraid of being refused looking up at him. [02:49:26] Speaker H: But you never have been refused yet by anybody, have you, Arthur? I can't imagine any one refusing you. [02:49:33] Speaker A: After kissing her again. [02:49:35] Speaker C: Of course I'm not nearly good enough. [02:49:37] Speaker A: For you, Mabel, nestling close to him. [02:49:40] Speaker H: I am so glad, darling. I was afraid you were. [02:49:45] Speaker A: After some. [02:49:45] Speaker C: Hesitation and I'm a little over 30. [02:49:54] Speaker H: Dear, you look weeks younger than that. [02:49:58] Speaker A: Enthusiastically. [02:50:00] Speaker C: How sweet of you to say so. And it is only fair to tell you frankly that I am fearfully extravagant. [02:50:07] Speaker H: But so am I, Arthur. [02:50:09] Speaker E: So. [02:50:09] Speaker H: So we're sure to agree. And now I must go and see Gertrude. [02:50:14] Speaker A: Must you really kisses her? [02:50:17] Speaker H: Yes. [02:50:18] Speaker C: Then do tell her I want to talk to her particularly. I have been waiting here all the morning to see either her or Robert. [02:50:26] Speaker H: Do you mean to say you didn't come here expressly to propose to me triumphantly? [02:50:33] Speaker C: No. That was a flash of genius. [02:50:36] Speaker A: Your first with determination. [02:50:40] Speaker C: My last. [02:50:42] Speaker H: I am delighted to hear it. Now don't stir. I'll be back in five minutes. And don't fall into any temptations while I am away. [02:50:50] Speaker C: Dear Mabel. While you are away. There are none. It makes me horribly dependent on you. [02:50:57] Speaker A: Enter, Lady Chiltern. [02:50:59] Speaker F: Good morning, dear. How pretty you are looking. [02:51:03] Speaker H: How pale you are looking, Gertrude. It is most becoming. [02:51:07] Speaker F: Good morning, Lord Goring. [02:51:11] Speaker A: Bowing. [02:51:11] Speaker C: Good morning, Lady Chiltern. [02:51:14] Speaker A: Aside to Lord Goring. [02:51:16] Speaker H: I shall be in the conservatory under the second Palm tree on the left. [02:51:22] Speaker A: Second on the left, with a look of mock surprise. [02:51:27] Speaker H: Yes, the usual palm tree blows a. [02:51:31] Speaker A: Kiss to him unobserved by Lady Chiltern and goes out. [02:51:34] Speaker C: Lady Chiltern, I have a certain amount of very good news to tell you. Mrs. Cheveley gave me up Robert's letter last night and I burned it. [02:51:45] Speaker A: Robert is safe, sinking on the sofa. [02:51:49] Speaker F: Safe. Oh, I am so glad of that. What a good friend you are to him. To us. [02:51:57] Speaker C: There is only one person now that could be said to be of any danger. [02:52:02] Speaker A: Who is that sitting down beside herself? [02:52:09] Speaker F: I in danger? What do you mean? [02:52:13] Speaker C: Danger is too great a word. It is a word I should not have used. But I admit I have something to tell you that made distress you that terribly distresses me. Yesterday evening you wrote me a very beautiful womanly letter asking me for my help. You wrote to me as one of your oldest friends, one of your husband's oldest friends. Mrs. Cheveley stole that letter from my rooms. [02:52:42] Speaker F: Well, what use is it to her? Why should she not have it rising? [02:52:49] Speaker C: Lady Chiltern, I will be quite Frank with you. Mrs. Cheveley puts a certain construction on that letter and proposes to send it to your husband. [02:53:00] Speaker F: But what construction could she put on it? O, not that. Not that. If I in in trouble and wanting your hand help, trusting you propose to come to you, that you may advise me, assist me. Oh, are there women so horrible as that? And she proposes to send it to my husband. Tell me what happened. Tell me all that happened. [02:53:32] Speaker C: Mrs. Cheveley was concealed in a room adjoining my library. Without my knowledge. I thought that the person who was waiting in that room to see me was yourself. Robert came in unexpectedly. A chair or something fell over in the room. He forced his way in and he discovered her. We had a terrible scene. I still thought it was you. He left me in anger. At the end of everything, Mrs. Cheveley got possession of your letter. She stole it. When or how? I don't know. [02:54:03] Speaker F: At what hour did this happen? [02:54:05] Speaker C: At half past ten. And now I propose that we tell Robert the whole thing at once. [02:54:11] Speaker A: Looking at him with amazement, that is almost terror. [02:54:14] Speaker F: You want me to tell Robert that the woman you expected was not Mrs. Cheveley, but myself? That it was I whom you thought was concealed in a room in your house at half past 10 o'clock at night? You want me to tell him that? [02:54:30] Speaker C: I think it is better that he should know the exact truth. [02:54:35] Speaker F: Oh, I couldn't. I couldn't. [02:54:39] Speaker C: May I do it? [02:54:41] Speaker B: No. [02:54:44] Speaker C: You Are wrong, Lady Chiltern? [02:54:47] Speaker F: No. The letter must be intercepted, that is all. But how can I do it? Letters arrive for him every moment of the day. His secretaries open them and hand them to. I dare not ask the servants to bring me letters. It would be impossible. Oh, why don't you tell me what to do? [02:55:08] Speaker C: Pray be calm, Lady Chiltern, and answer the questions I am going to put to you. You said his secretary has opened his letters? [02:55:16] Speaker F: Yes. [02:55:17] Speaker C: Who is with him to day? Mr. Trafford, isn't it? [02:55:21] Speaker F: No. Mr. Montfort. [02:55:22] Speaker C: I think you can trust him with. [02:55:25] Speaker A: A gesture of despair. [02:55:28] Speaker F: Oh, how do I know? [02:55:30] Speaker C: He would do what you asked him, wouldn't he? [02:55:34] Speaker F: I think so. [02:55:35] Speaker C: Your letter was on pink paper. He could recognize it without reading it, couldn't he? By the colour? [02:55:41] Speaker F: I suppose so. [02:55:42] Speaker C: Is he in the house now? [02:55:44] Speaker F: Yes. [02:55:46] Speaker C: Then I will go and see him myself and tell him that a certain letter written on pink paper is to be forwarded to Robert today. And that at all costs it must not reach him. [02:55:57] Speaker A: Goes to the door and opens it. [02:55:59] Speaker C: Oh, Robert is coming upstairs with the letter in his hand. It has reached him already, with a cry of pain. [02:56:09] Speaker F: Oh, you have saved his life. What have you done with mine? [02:56:14] Speaker A: Enter Sir Robert Chiltern. He has the letter in his hand and is reading it. He comes towards his wife, not noticing Lord Goring's presence. [02:56:24] Speaker B: I want you. I trust you. I am coming to you, Gertrude. Oh, my love. Is this true? Do you indeed trust me and want me? If so, it was for me to come to you, not for you to write of coming to me. This letter of yours, Gertrude, makes me feel that nothing that the world may do can hurt me. Now you want me, Gertrude. [02:56:50] Speaker A: Lord Goring, unseen by Sir Robert Chiltern, makes an imploring sign to Lady Chiltern to accept the situation and Sir Robert's error. [02:56:58] Speaker F: Yes. [02:57:00] Speaker B: You trust me, Gertrude? [02:57:02] Speaker F: Yes. Ah. [02:57:04] Speaker B: Why did you not add that you. [02:57:06] Speaker A: Loved me taking his hand? [02:57:10] Speaker F: Because I love you. [02:57:12] Speaker A: Lord Goring passes into the conservatory, kisses her. [02:57:17] Speaker B: Gertrude, you don't know what I feel. When Montfort passed me your letter across the table, he had opened it by mistake, I suppose, without looking at the handwriting on the envelope. And I read it. Oh, I did not care what disgrace or punishment was in store for me. I only thought. Thought that you loved me. Still. [02:57:39] Speaker F: There is no disgrace in store for you, nor any public shame. Mrs. Cheveley has handed over to Lord Goring the document that was in her possession and he has destroyed it. [02:57:52] Speaker B: Are you sure of this, Gertrude? [02:57:54] Speaker F: Yes. Lord Goring has just told me. [02:57:57] Speaker B: Then I am safe. Oh, what a wonderful scene. Thing to be safe. For two days I've been in terror. I am safe now. How did Arthur destroy my letter? Tell me. [02:58:11] Speaker F: He burned it. [02:58:13] Speaker B: I wish I had seen that. One sin of my youth. Burning to ashes. How many men there are in modern life who would like to see their past burning to white ashes before them. Is Arthur still here? [02:58:27] Speaker F: Yes, he is in the conservatory. [02:58:31] Speaker B: I'm so glad now. I made that speech last night in the house. So glad I made it. Thinking that public disgrace might be the result. But it has not been so. [02:58:42] Speaker F: Public honour has been the result? [02:58:45] Speaker B: I think so. I fear so, almost. For although I am safe from detection. Although every proof against me is destroyed. I suppose, Gertrude. I suppose I should retire from public life. [02:59:02] Speaker A: He looks anxiously at his wife. [02:59:06] Speaker F: Oh, yes, Robert, you should do that. It is your duty to do that. [02:59:12] Speaker B: It is much to surrender. [02:59:15] Speaker F: No, it will be much to gain. [02:59:18] Speaker A: Sir Robert Chiltern walks up and down the room with a troubled expression. Then comes over to his wife and puts his hand on her shoulder. [02:59:25] Speaker B: And you would be happy living somewhere alone with me? Abroad, perhaps. Or in the country. Away from London. Away from public life. You would have no regrets? [02:59:36] Speaker F: Oh, none, Robert, sadly. [02:59:40] Speaker B: And your ambition for me? You used to be so ambitious. Ambitious for me? [02:59:45] Speaker F: Oh, my ambition. I have none now but that we two may love each other. It was your ambition that led you astray. Let us not talk about ambition. [02:59:58] Speaker A: Lord Goring returns from the conservatory looking very pleased with himself. And with an entirely new buttonhole that someone has made for him going towards him. [03:00:07] Speaker B: Arthur, I have to thank you for what you have done for. For me. I don't know how I can repay you. [03:00:15] Speaker C: My dear fellow. I'll tell you at once. At the present moment, under the usual palm tree. I mean, in the conservatory. [03:00:24] Speaker A: Enter Mason. Lord Caversham. [03:00:28] Speaker C: That admirable father of mine really makes a habit of turning up at the wrong moment. It is very heartless of him. Very heartless indeed. [03:00:38] Speaker A: Enter, Lord Caversham. Mason goes out. [03:00:42] Speaker D: Good morning, Lady Chiltern. Warmest congratulations to you, Chiltern, on your brilliant speech last night. I have just left the Prime Minister and you are to have the vacant seat in the Cabinet. [03:00:55] Speaker A: With a look of joy and triumph. [03:00:58] Speaker B: A seat in the Cabinet? [03:01:01] Speaker D: Yes. Here is the Prime Minister's letter. [03:01:05] Speaker A: Hands letter, takes letter and reads it. [03:01:08] Speaker B: A seat in the Cabinet? [03:01:11] Speaker D: Certainly. And you well deserve it too. You have got what we want so much in political life nowadays. High character, high moral tone. [03:01:21] Speaker A: High Principles to Lord Goring. [03:01:25] Speaker D: Everything that you have not got, sir, and never will have. [03:01:31] Speaker C: I don't like principles, Father. I prefer prejudices. [03:01:35] Speaker A: Sir Robert Chiltern is on the brink of accepting the Prime Minister's offer. When he sees his wife looking at him with her clear, candid eyes, he then realises that it is impossible. [03:01:46] Speaker B: I cannot accept this offer, Lord Caversham. I have made up my mind to decline it. [03:01:53] Speaker D: Decline it, sir? [03:01:55] Speaker B: My intention is to retire at once from public life. [03:02:00] Speaker D: Decline a seat in the Cabinet and retire from public life. I have never heard such damned nonsense in the whole course of my existence. I beg your pardon, Lady Chiltern. Chiltern. I beg your pardon. Don't grin like that, sir. [03:02:16] Speaker C: No, Father. [03:02:18] Speaker D: Lady Chiltern, you are a sensible woman. The most sensible woman in London. The most sensible woman I know. Would you kindly prevent your husband from making such a. From taking such. Would you kindly do that, Lady Chiltern? [03:02:31] Speaker F: I think my husband is right in his determination, Lord Caversham. I approve of it. [03:02:37] Speaker D: You approve of it? Good heavens. [03:02:41] Speaker A: Taking her husband's hand. [03:02:44] Speaker F: I admire him for it. I admire him immensely for it. I have never admired. Admired him so much before. He is finer than even I thought him. [03:02:55] Speaker A: To Sir Robert Chilton. [03:02:57] Speaker F: You will go and write your letter to the Prime Minister now, won't you? Don't hesitate about it, Robert. [03:03:04] Speaker A: With a touch of bitterness, I suppose. [03:03:07] Speaker B: I had better write it at once. Such offers are not repeated. I will ask you to excuse me for a moment, Lord Caversham. [03:03:15] Speaker F: I may come with you, Robert, may I not? [03:03:18] Speaker B: Yes, Gertrude. [03:03:20] Speaker A: Lady Chiltern goes out with him. [03:03:23] Speaker D: What is the matter with this family? Something wrong here, eh? [03:03:27] Speaker A: Tapping his forehead. [03:03:29] Speaker D: Idiocy. Hereditary, I suppose. Both of them, too. Wife as well as husband. Very sad. Very sad indeed. And they're not an old family. Can't understand. [03:03:41] Speaker C: Is not idiocy, Father, I assure you. [03:03:45] Speaker D: What is it then, sir? [03:03:48] Speaker A: After some hesitation. [03:03:50] Speaker C: Well, it is what is called nowadays a high moral tone, Father, that is all. [03:03:59] Speaker D: Hate these new fangled names. Same thing we used to call idiocy 50 years ago. Shan't stay in this house any longer. [03:04:07] Speaker A: Taking his arm. [03:04:09] Speaker C: Oh, just go in here for a moment, Father. Third palm tree to the left. The usual palm tree. [03:04:15] Speaker D: What, sir? [03:04:16] Speaker C: Anthroposter. I beg your pardon, Father. I forgot. The conservatory, Father. The conservatory. There is someone there I want you to talk to. [03:04:25] Speaker D: What about, sir? [03:04:27] Speaker C: About me, Father. [03:04:29] Speaker A: Grimly. [03:04:30] Speaker D: Not a subject on which much eloquence is possible. [03:04:35] Speaker C: No, Father. But the lady is like me. She doesn't care much for eloquence in others. She thinks it a little loud. [03:04:44] Speaker A: Lord Caversham goes out into the conservatory. Lady Chiltern enters. [03:04:49] Speaker C: Lady Chiltern, why are you playing Mrs. Cheveley's cards? [03:04:54] Speaker A: Startled? [03:04:56] Speaker F: I don't understand you. [03:04:58] Speaker C: Mrs. Cheveley made an attempt to ruin your husband, either to drive him from public life or to make him adopt a dishonourable position. From the latter tragedy you saved him. The former you are now thrusting on him. Why should you do him the wrong Mrs. Cheveley tried to do and failed? [03:05:18] Speaker A: Lord Goring pulling himself together for a great effort and showing the philosopher that underlies the dandy. [03:05:25] Speaker C: Lady Chiltern, allow me. You wrote me a letter last night in which you said you trusted me and wanted my help. Now is the moment when you really want my help. Now is the time when you have got to trust me, to trust in my counsel and judgment. You love Robert. Do you want to kill his love for you? What sort of existence will he have if you rob him of the fruits of his ambition? If you take him from the splendor of a great political career? If you close the doors of public life against him? If you condemn him to sterile failure? He who was made for triumph and success? Women are not meant to judge us, but to forgive us when we need forgiveness. Pardon, not punishment, is their mission. Why should you scourge him with rods for his sin done in his youth, before he knew you, before he knew himself? A man's life is of more value than a woman's. It has larger issues, wider scope, greater ambitions. A woman's life revolves in curves of emotions. It is upon lines of intellect that a man's life progresses. Don't make any terrible mistake now, Lady Chiltern. A woman who can keep a man's love and love him in return has done all the world wants of women. [03:07:06] Speaker A: Or should want of them, troubled and hesitating. [03:07:10] Speaker F: But it is my husband himself who wishes to retire from public life. He feels it is his duty. It was he who first said so. [03:07:23] Speaker C: Rather than lose your love, Robert would do anything, wreck his whole career, as he is on the brink of doing now. He is making for you a terrible sacrifice. Take my advice, Lady Chiltern, and do not accept I a sacrifice so great. If you do, you will live to repent it bitterly. We men and women are not made to accept such sacrifices from each other. We are not worthy of them. Besides, Robert has been punished enough. [03:07:55] Speaker F: We have both been punished. I set him up too high. [03:08:00] Speaker A: With deep feeling in his voice. [03:08:02] Speaker C: Do not for that reason set him down now too low. If he has fallen from his altar, do not thrust him into the mire. Failure to Robert would be the very mire of shame. Power is his passion. He would lose everything. Even his power to feel love. Your husband's life is at this moment in your hands. Your husband's love is in your hands. Don't mob both for him. [03:08:39] Speaker A: Enter. Sir Robert Chiltern. [03:08:42] Speaker B: Gertrude, here is the draft of my letter. Shall I read it to you? [03:08:47] Speaker F: Let me see it. [03:08:49] Speaker A: Sir Robert hands her the letter. She reads it and then with a gesture of passion, tears it up. [03:08:55] Speaker B: What are you doing? [03:08:57] Speaker F: A man's life is of more value than a woman's. It has larger issues, wider scope, greater ambitions. Our lives revolve in curves of emotion. It is upon lines of intellect that a man's life progresses. I have just learnt this and much else with it from Lord Goring. And I will not spoil your life for you. Nor see you spoil it as a sacrifice to me. A useless sacrifice. [03:09:28] Speaker B: Gertrude. Gertrude. [03:09:30] Speaker F: You can forget. Men easily forget. And I forgive. That is how women help the world. I see that now. [03:09:40] Speaker A: Deeply overcome by emotion, embraces her. [03:09:44] Speaker B: My wife. [03:09:45] Speaker A: My wife to Lord Goring. [03:09:50] Speaker B: Arthur. It seems that I am always to be in your debt. [03:09:54] Speaker C: Oh dear, no, Robert. Your debt is to Lady Chiltern, not to me. [03:10:00] Speaker B: I owe you much. And now tell me, what were you going to ask me just now as Lord Caversham came in? [03:10:07] Speaker C: Robert, you are your sister's guardian. And I want your consent to my marriage with her. That is all. [03:10:15] Speaker F: Oh, I am so glad. I am so glad. [03:10:19] Speaker A: Shakes hands with Lord Goring. [03:10:21] Speaker C: Thank you. Lady Chiltern. [03:10:24] Speaker A: With a troubled look. [03:10:26] Speaker B: My sister to be your wife. [03:10:29] Speaker C: Yes. [03:10:31] Speaker A: Speaking with great firmness. [03:10:34] Speaker B: Arthur, I am very sorry, but the thing is quite out of the question. I have to think of Mabel's future happiness. And I don't think her happiness would be safe in your hands. And I cannot have her sacrificed. [03:10:50] Speaker C: Sacrificed? [03:10:52] Speaker B: Yes, utterly sacrificed. Loveless marriages are horrible. But there is one thing worse than an absolutely loveless marriage. A marriage in which there is love but on one side only faith. But on one side only devotion. But on one side only. And in which of the two hearts one is sure to be broken. [03:11:18] Speaker C: But I love Mabel. No other woman has any place in my life. [03:11:23] Speaker F: Robert, if they love each other, why should they not be married? [03:11:28] Speaker B: Arthur cannot bring Mabel the love that she desires. [03:11:33] Speaker C: What reason have you for saying that? [03:11:35] Speaker A: After a pause. [03:11:37] Speaker B: Do you really require me to tell you? [03:11:41] Speaker C: Certainly. [03:11:42] Speaker B: I do as you choose. When I called on you yesterday Evening, I found Mrs. Cheveley concealed in your rooms. It was between 10 and 11 o' clock at night. I do not wish to say anything more. Your relations with Mrs. Cheveley have, as I said to you last night, nothing whatsoever to do with me. I know you were engaged to be married to her once. The fascination she exercised over you then seems to have returned. You spoke to me last night of her as of a woman pure and stainless. A woman whom you respected and honoured. That may be so. But I cannot give my sister's life into your hands. It would be wrong of me. It would be unjust. Infamously unjust to her. [03:12:31] Speaker C: I have nothing more to say, Robert. [03:12:35] Speaker F: It was not Mrs. Cheveley whom Lord Goring expected last night. [03:12:40] Speaker B: Not Mrs. Cheveley? Who was it then? [03:12:43] Speaker C: Lady Chiltern. [03:12:45] Speaker F: It was your own wife. Robert. Yesterday afternoon, Lord Goring told me that if ever I was in trouble, I could come to him for help, as he was our oldest and best friend. Later on, after that terrible scene in this room, I wrote to him telling him that I trusted him, that I had need of him, that I was coming to him for help and advice. [03:13:09] Speaker A: Sir Robert Chiltern takes the letter out of his pocket. [03:13:13] Speaker F: Yes, that letter. I didn't go to Lord Goring's after all. I felt that it is from ourselves alone that help can come. Pride made me think that Mrs. Chevely went. She stole my letter and sent it anonymously to you this morning. That you should think. Oh, Robert, I cannot tell you what she wished you to think. [03:13:36] Speaker B: What had I fallen so low in your eyes that you thought that even for a moment I. I could have doubted your goodness. Gertrude. Gertrude. You are to me the white image of all good things. And sin can never touch you. Arthur. You can go to Mabel. And you have my best wishes. Oh, stop for a moment. There is no name at the beginning of this letter. The brilliant Mrs. Cheveley does not seem to have noticed that there should be a name. [03:14:07] Speaker F: Let me write. It is you I trust and need. You and none else. [03:14:14] Speaker C: Well, really, Lady Chiltern, I think I should have back my own letter. [03:14:22] Speaker A: Smiling. [03:14:23] Speaker F: No, you shall have. [03:14:25] Speaker A: Mabel takes the letter and writes her husband's name on it. [03:14:29] Speaker C: Well, I hope she hasn't changed her mind. It's nearly 20 minutes since I saw her last. [03:14:34] Speaker A: Enter Mabel Chiltern. And Lord. Lord Caversham. [03:14:36] Speaker H: Lord Goring. I think your father's conversation much more improving than yours. I am only going to talk To Lord Caversham in the future. And always under the usual palm tree. [03:14:47] Speaker A: Darling kisses her, considerably taken aback. [03:14:52] Speaker D: What does this mean, sir? You don't mean to say that this charming, clever young lady has been so foolish as to accept you? [03:14:59] Speaker C: Certainly, Father. And Chiltern's been wise enough to accept the seat in the Cabinet. [03:15:05] Speaker D: I am very glad to hear that, Chiltern. I congratulate you, sir. If this country doesn't go to the dogs or the radicals, we shall have you as Prime Minister some day. [03:15:14] Speaker A: Enter, Mason. Luncheon is on the table, my lady. Mason goes out. [03:15:20] Speaker H: You'll stop to luncheon Lord Caversham, won't you? [03:15:24] Speaker D: With pleasure. And I'll drive you down to Downing street afterwards. Chiltern, you have a great future before you. A great future. Wish I could say the same for you, sir. But your career will have to be entirely domestic. [03:15:41] Speaker C: Yes, Father. I prefer it domestic. [03:15:46] Speaker D: And if you don't make this young lady an ideal husband, I'll cut you off with a shilling. [03:15:51] Speaker H: An ideal husband? Oh, I don't think I should like that. It sounds like something in the next world. [03:15:58] Speaker D: What do you want him to be then, dear? [03:16:01] Speaker H: He can be what he chooses. All I want is to be to be. Oh, a real wife to him. [03:16:08] Speaker D: Upon my word, there is a good deal of common sense in that. Lady Chiltern. [03:16:14] Speaker A: They all go out except Sir Robert Chiltern. He sinks in a chair, wrapped in thought. After a little time, Lady Chiltern returns to look for him. Leaning over the back of the chair. [03:16:26] Speaker F: Aren't you coming in, Robert? [03:16:28] Speaker A: Taking her hand. [03:16:31] Speaker B: Gertrude. Is it love you feel for me? Or is it pity merely kisses him? [03:16:39] Speaker F: It is love, Robert. [03:16:41] Speaker E: Love. [03:16:42] Speaker F: And only love. For both of us. A new life is beginning. [03:16:48] Speaker A: Curtain. End of act iv. End of An Ideal Husband by Oscar Wilde. You have been listening to Alex Foster reading the narrator Linton reading the Earl of Caversham kg. John Gonzales reading Viscount Goring his son. Sir Robert Chilton, Baronet Under Secretary for Foreign affairs was read by David Barnes. The Vicomte de Nanjak was read by Juho Mr. Montford. Matthew Walton Mason Butler to Sir Robert Chiltern by Hugh Maguire Phips. Lord Goring's Servants by Razel James the Footman by Chris Gorringe. Harold the Footman by Zachary Brewster Gyce. Lady Chiltern by Kristen Hughes Lady Markby by Heather Bennet. The Countess of Basildon by Gemma Blythe Mrs. Marchmont by Ezra Mrs. Mabel Chiltern. Sir Robert Chiltern's Sister by Anita Roy Dobbs Mrs. Cheveley, Betsy Bush. The editor was Paula Berenstain. This has been a Librivox production and is in the public domain. For more information or to volunteer yourself, please see librivox.org an ideal husband by Oscar Wilde.